Description
Although best known for his large-format color photographs made with vintage Kodak Brownie cameras, William Christenberry has also consistently produced work with 35 mm Kodachrome slide film ever since he took up photography. William Christenberry: Kodachromes is the first publication to showcase this stunning and previously unknown body of work, spanning from 1964 to 2007, of which only a small number of images have ever been published or exhibited. As in all of Christenberry's photographs, the subject matter is the rural Deep South: the twisting back roads, open landscapes, rusted signage, and ramshackle vernacular architecture found in Hale County, Alabama. Though many of the sites pictured in this rare collection are new, other subjects grew iconic in Christenberry's oeuvre as he has returned to photograph them for decades-the red building in the forest, Sprott Church, the Palmist Sign, and the Bar-B-Q Inn, among others. However, the photographs in William Christenberry: Kodachromes, made with a camera that allowed for greater mobility, reveal new ways of considering Christenberry's perennial subjects and o!er further insight into the working method of this venerable artist.
About the Author
William Christenberry was a professor at the Corcoran College of Art and Design, Washington, D.C., from 1968 until 2009. His work has been the subject of dozens of solo shows and exhibitions over the last forty years, and can be found in numerous permanent collections, including the Smithsonian American Art Museum, Washington, D.C.; Museum of Modern Art and Whitney Museum of American Art, both in New York; Stedelijk Museum, Amsterdam; San Francisco Museum of Modern Art; and Center for Creative Photography, Tucson, Arizona. His work was the subject of a major year-long solo exhibition at the Smithsonian American Art Museum in 2006. Richard B. Woodward is a New York-based arts critic who contributes regularly to the Wall Street Journal and New York Times. His journalism has appeared in numerous publications, from The Atlantic, Bookforum, Film Comment, The American Scholar, and The New Yorker to Vanity Fair, Interview, and Vogue. His essays on art and photography have been featured in more than 20 monographs and museum catalogs.
Book Information
ISBN 9781597111478
Author William Christenberry
Format Hardback
Page Count 176
Imprint Aperture
Publisher Aperture
Weight(grams) 1460g
About the Author
William Christenberry was a professor at the Corcoran College of Art and Design, Washington, D.C., from 1968 until 2009. His work has been the subject of dozens of solo shows and exhibitions over the last forty years, and can be found in numerous permanent collections, including the Smithsonian American Art Museum, Washington, D.C.; Museum of Modern Art and Whitney Museum of American Art, both in New York; Stedelijk Museum, Amsterdam; San Francisco Museum of Modern Art; and Center for Creative Photography, Tucson, Arizona. His work was the subject of a major year-long solo exhibition at the Smithsonian American Art Museum in 2006. Richard B. Woodward is a New York-based arts critic who contributes regularly to the Wall Street Journal and New York Times. His journalism has appeared in numerous publications, from The Atlantic, Bookforum, Film Comment, The American Scholar, and The New Yorker to Vanity Fair, Interview, and Vogue. His essays on art and photography have been featured in more than 20 monographs and museum catalogs.
Book Information
ISBN 9781597111478
Author William Christenberry
Format Hardback
Page Count 176
Imprint Aperture
Publisher Aperture
Weight(grams) 1460g
