Description
A coming-of-age collection set to the music of the 1980s and 90s.
This novel in poetic form tells the story of a young man dealing with the challenges of growing up mixed-race in 1980s suburbia. In this time of change, both for himself and the world around him, he seeks to "remember / just when I stopped being cute..."
Narrating run-ins with the police ("The minute they see me, fear me") and confrontations with himself, the speaker in this collection must learn to navigate a world that sees him as a threat. When Did We Stop Being Cute? reflects on the beauty and horrors of life in the United States, telling a personal story that shows Black lives and how they matter.
About the Author
A mixed-race child of the 1980s, Martin Wiley came of age in the New Jersey suburbs. His poetry is inspired both by the music he grew up with (from Public Enemy and Run DMC to Blondie and The Bangles) and the racial and personal politics of the world around him. He lives and teaches in Philadelphia with his wife and two children.
Reviews
"Rhythmic, musical, and at times nostalgic for a past that never was, Martin Wiley's poetry offers a piercing view into the life of a young mixed man as he processes his world, his grief, with nuance, biting humor, and brutal honesty, using the microcosms of a school, a deli, a neighborhood, to examine the fraught experiences of minorities in America." * Jeni McFarland, author of 'The House of Deep Water' *
"An artist tells us who they are through their work. At times this telling is subtle, and then there are times it is bold and brazen. In Martin Wiley's When Did We Stop Being Cute?, the repetition of the theme of 'coming of age' is turned on its head. This transition from boyhood to adolescence for a young black male from a mixed racial background is fraught with peril, substance dependency, and difficult choices. There are juxtapositions between first kisses with pep rally backdrops and wanting 'to drown in the miracle of my own survival.' These poems reveal a truth that we should be honored to witness. The lies that America tells itself about the serenity and safety of the American suburb are laid bare for all to see. The false bravado of empty masculinity is examined and left wanting." * DuiJi Mshinda, poet and author of 'Traces of Inifinity' *
Book Information
ISBN 9781933880976
Author Martin Wiley
Format Paperback
Page Count 112
Imprint CavanKerry Press
Publisher CavanKerry Press
Dimensions(mm) 9mm * 6mm * 1mm
This novel in poetic form tells the story of a young man dealing with the challenges of growing up mixed-race in 1980s suburbia. In this time of change, both for himself and the world around him, he seeks to "remember / just when I stopped being cute..."
Narrating run-ins with the police ("The minute they see me, fear me") and confrontations with himself, the speaker in this collection must learn to navigate a world that sees him as a threat. When Did We Stop Being Cute? reflects on the beauty and horrors of life in the United States, telling a personal story that shows Black lives and how they matter.
About the Author
A mixed-race child of the 1980s, Martin Wiley came of age in the New Jersey suburbs. His poetry is inspired both by the music he grew up with (from Public Enemy and Run DMC to Blondie and The Bangles) and the racial and personal politics of the world around him. He lives and teaches in Philadelphia with his wife and two children.
Reviews
"Rhythmic, musical, and at times nostalgic for a past that never was, Martin Wiley's poetry offers a piercing view into the life of a young mixed man as he processes his world, his grief, with nuance, biting humor, and brutal honesty, using the microcosms of a school, a deli, a neighborhood, to examine the fraught experiences of minorities in America." * Jeni McFarland, author of 'The House of Deep Water' *
"An artist tells us who they are through their work. At times this telling is subtle, and then there are times it is bold and brazen. In Martin Wiley's When Did We Stop Being Cute?, the repetition of the theme of 'coming of age' is turned on its head. This transition from boyhood to adolescence for a young black male from a mixed racial background is fraught with peril, substance dependency, and difficult choices. There are juxtapositions between first kisses with pep rally backdrops and wanting 'to drown in the miracle of my own survival.' These poems reveal a truth that we should be honored to witness. The lies that America tells itself about the serenity and safety of the American suburb are laid bare for all to see. The false bravado of empty masculinity is examined and left wanting." * DuiJi Mshinda, poet and author of 'Traces of Inifinity' *
Book Information
ISBN 9781933880976
Author Martin Wiley
Format Paperback
Page Count 112
Imprint CavanKerry Press
Publisher CavanKerry Press
Dimensions(mm) 9mm * 6mm * 1mm
