Description
Serious literary artists such as T.S. Eliot, James Joyce and Virginia Woolf loom large in most accounts of the literary art of the first half of the 20th century. And yet, working in the shadows cast by these modernists were science fiction, horror and fantasy writers like the "Weird Tales Three": H.P. Lovecraft, Clark Ashton Smith and Robert E. Howard.
They did not publish in artistically ambitious magazines like Dial, The Smart Set and The Little Review but instead in commercial pulp magazines like Weird Tales. Contrary to the stereotypes about pulp fiction and those who wrote it, these three were serious literary artists who used their fiction to speculate about such philosophical questions as the function of art and the brevity of life.
About the Author
Jason Ray Carney is a lecturer in the Department of English of Christopher Newport University in Newport News, Virginia. He is the co-editor of the academic journal The Dark Man: Journal of Robert E. Howard and Pulp Studies and the area chair of the "Pulp Studies" section of the Popular Culture Association.
Reviews
"Plac[es] pulp fiction in a broader historical and literary context."-American Literature
"Carney's book is a valuable addition to the literature on its topic. It deserves a wide readership, and a prominent place in the scholarship of American fantastic literature in the early twentieth century. In addition to its insightful readings of Smith, Howard, and Lovecraft, it offers a much needed counter-narrative to the dominance of modernism in twentieth century American literature."-Journal of the Fantastic in the Arts.
Book Information
ISBN 9781476668031
Author Jason Ray Carney
Format Paperback
Page Count 205
Imprint McFarland & Co Inc
Publisher McFarland & Co Inc
Weight(grams) 286g
Dimensions(mm) 229mm * 152mm * 11mm