Description
The Song Is You shows how musicals return again and again to this question, and grapple with a guilt that its joyous pleasures are based on exploiting the laboring bodies of its performers. Rogers argues that the discourse of 'integration' - which claims that songs should advance the plot - has functioned to deny the radical work that the musical undertakes every time it transitions into song and dance. Looking at musicals from The Black Crook to Hamilton, Rogers confronts the gendered and racial dynamics that have always under-girded the genre, and asks how we move forward.
About the Author
Bradley Rogers is assistant professor of theatre studies, English, and gender, sexuality, and feminist studies at Duke University, where he also oversees the program in musical theatre. He lives in Durham, North Carolina.
Reviews
"Bradley Rogers takes us on an adventure through American musical theatre to prove that the much-touted concept of integration is a fraud. Discovering new rhythms, new pleasures, and new choreographies in canonical and noncanonical musicals alike, The Song Is You represents revisionist history at its most invigorating."-David Savran, author, Highbrow/ Lowdown: Theater, Jazz, and the Making of the New Middle Class "Rogers charts a fascinating and important new road through musical theatre theory, connecting the genre's roots in minstrelsy, burlesque, and vaudeville with performative impersonations, psychic displacements, and most of all, a repudiation of integration. His argument, both elegant and persuasive, attends to the dynamics of performance and reception within the realms of history, politics, power, gender, race, and the body."-Stacy Wolf, author, Beyond Broadway: The Pleasure and Promise of Musical Theatre Across America
Book Information
ISBN 9781609387327
Author Bradley Rogers
Format Paperback
Page Count 270
Imprint University of Iowa Press
Publisher University of Iowa Press
Weight(grams) 400g