In all of the books about rock music, relatively few focus on the purely musical dimensions of the style: dimensions of harmony and melody, tonality and scale, rhythm and meter, phrase structure and form, and emotional expression. The Musical Language of Rock puts forth a new, comprehensive theoretical framework for the study of rock music by addressing each of these aspects. Eastman music theorist and cognition researcher David Temperley brings together a conventional music-analytic approach with statistical corpus analysis to offer an innovative and insightful approach to the genre. With examples from across a broadly defined rock idiom encompassing everything from the Beatles to Deep Purple, Michael Jackson to Bonnie Raitt, The Musical Language of Rock shows how rock musicians exploit musical parameters to achieve aesthetic and expressive goals-for example, the manipulation of expectation and surprise, the communication of such oppositions as continuity/closure and tension/relaxation, and the expression of emotional states. A major innovation of the book is a three-dimensional model of musical expression-representing valence, energy, and tension-which proves to be a powerful tool for characterizing songs and also for tracing expressive shifts within them. The book includes many musical examples, with sound clips available on the book's website. The Musical Language of Rock presents new insights on the powerful musical mechanisms which have made rock a hallmark of our contemporary musical landscape.

About the Author
David Temperley is Professor of Music Theory at Eastman School of Music. He has published extensively in the fields of music cognition, music theory, and linguistics. His first book, The Cognition of Basic Musical Structures, won the Society for Music Theory's Emerging Scholar Award. He is also a composer and songwriter.

Reviews
[An] excellent resource for a course in rock history or rock analysis...Temperley's encyclopaedic knowledge of the rock repertoire enables him to find the perfect song to illustrate every point...Temperley provides a wonderful example of what statistical analysis can do -- it can model our intuitions about music in a way that is precise but still relates to common human experience...Due to its unparalleled scope and depth, The Musical Language of Rock has the potential to become a standard work in rock studies. * Peter Silberman, Journal of Popular Music Education *
. . . [T]he best book I know of on the subject. Prof. Temperley brings to bear his expertise in musical structure, statistical analysis, and cognition theory to music that he clearly loves, resulting in a thorough foundation covering everything from harmony to emotional content. A tour de force! * Ken Stephenson, author of What to Listen for in Rock *
This impressive book will be crucial reading for anyone interested in the theory and analysis of rock, and especially those seeking new and better ways to describe the 'aha' moments in the songs they love. * Mark Spicer, Professor of Music, Hunter College and the Graduate Center, City University of New York *



Book Information
ISBN 9780190870522
Author David Temperley
Format Paperback
Page Count 312
Imprint Oxford University Press Inc
Publisher Oxford University Press Inc
Weight(grams) 428g
Dimensions(mm) 234mm * 157mm * 18mm