Description
This collection examines film, literature and art produced during and after the Malayan Emergency to demonstrate how art functions as a record of cultural memory that both reinforces and challenges official histories.
About the Author
Jonathan Driskell is Lecturer of Film, Television and Screen Studies at Monash University, Malaysia, and is the author of two books Marcel Carne (2012) and The French Screen Goddess (2015). He is also the editor of Film Stardom in Southeast Asia (2022) and has written a number of articles and book chapters. Marek W. Rutkowski is an independent historian specializing in the Cold War in Asia. His research interest include the history of the Vietnam War, middle power diplomacy and the Soviet Bloc's developmental initiatives in Asia. Andrew Ng Hock Soon is Associate Professor of Literature and Chair of Postgraduate Studies at Monash University, Malaysia. His research includes horror and the Gothic, postcolonial literature and literary and film aesthetics. He is the author or editor of six books.
Reviews
This volume unveils multiple ways the Malayan Emergency was imagined at the time, and has been repeatedly reimagined and contested since by observers and adversaries who experienced events, and by new generations of novelists, film-makers and artists. It allows us to see conflict history and memory as the product of a kaleidoscope of jostling representations. * Karl Hack, Professor of History, The Open University, UK *
Book Information
ISBN 9781350410862
Author Jonathan Driskell
Format Hardback
Page Count 272
Imprint Bloomsbury Academic
Publisher Bloomsbury Publishing PLC