The British Film Institute (BFI) is one of the UK's oldest and most important government-supported cultural institutions. From a modest start in the 1930s it grew rapidly after the war to encompass every kind of film-related activity from production to archiving to exhibition to education. At the beginning of the twenty-first century its turnover was approaching GBP30m and it had become a central point of reference for anyone whose interest in film stretched beyond what's on at the local multiplex.

There was nothing straightforward about this rise to prominence. It was achieved in the face of government indifference, active obstruction from the film trade, internecine warfare within the organisation and fierce contestation on the part of the BFI's own core public.

Based on intensive original research in the BFI's own voluminous archives and elsewhere, this book examines the interplay of external and internal forces that led to the BFI's unique development as a multi-faceted public body.

This volume will be a treasure trove for anyone interested in film and the workings of cultural institutions, or more generally in twentieth-century British film history.

About the Author

Geoffrey Nowell-Smith is an Honorary Professorial Fellow in the School of History, Queen Mary, University of London

Christophe Dupin; Senior Administrator, International Federation of Film Archives in Brussels

Reviews

The book is wide ranging in scope, covering not only the BFI, but 75 years of British cultural life, including film societies, the film archive movement and the Museum of the Moving Image."

"This volume will be a treasure trove for anyone interested in film and the workings of cultural institutions, or more generally in 20th century British film history.

-- .



Book Information
ISBN 9780719095740
Author Geoffrey Nowell-Smith
Format Paperback
Page Count 352
Imprint Manchester University Press
Publisher Manchester University Press
Dimensions(mm) 234mm * 156mm * 18mm