Description
"What treasures of knowledge we cluster around." That This is a collection in three pieces. "Disappearance Approach," an essay about Howe's husband's sudden death-"land of darkness or darkness itself you shadow mouth"-begins the book with paintings by Poussin, an autopsy, Sarah Edwards and her sister-in-law Hannah, phantoms, and elusive remnants. "Frolic Architecture," the second section-inspired by visits to the vast 18th-century Jonathan Edwards archives at the Beinecke and accompanied by six photograms by James Welling-presents hauntingly lovely, oblique type-collages of Hannah Edwards Wetmore's diary entries that Howe (with scissors, "invisible" Scotch Tape, and a Canon copier) has twisted, flattened, and snipped into inscapes of force. The final section, "That This," delivers beautiful short squares of verse that might look at home in a hymnal, with their orderly appearance packing startling power:
That this book is a history of
a shadow that is a shadow of
Me mystically one in another
another another to subserve.
About the Author
Susan Howe has won the Bollingen Prize, the Frost Medal, and the Griffin Award. She is the author of such seminal works as Debths, That This, The Midnight, My Emily Dickinson, The Quarry, and The Birthmark. James Welling, b. 1951, is an acclaimed experimental artist who employs a wide variety of photographic tools and media.
Reviews
"For nearly thirty years, Howe has occupied a particular and invaluable place in American poetry. She's a rigorously skeptical and a profoundly visionary poet, a writer whose demystifying intelligence is matched by a passionate embrace of poetry's rejuvenating power." -- John Palattella - The Boston Review
"An important voice in contemporary literature, a signal inheritor of an American poetic tradition. Like Dickinson, her Massachusetts muse, Howe turns the English of a self steeped in books such that every word, as in Scripture, glows with an almost moral quality." -- Artforum
"Monomania has its rewards-an incantatory power that shines through. Howe's images, being historical as well as biographical, have the eerie sharing of ghosts half-believed in, giving a surreal, dreamlike atmosphere reminiscent of Borges at his sharpest." -- Kirkus Reviews
Book Information
ISBN 9780811219181
Author Susan Howe
Format Paperback
Page Count 112
Imprint New Directions Publishing Corporation
Publisher New Directions Publishing Corporation
Weight(grams) 170g
Dimensions(mm) 229mm * 155mm * 10mm
That this book is a history of
a shadow that is a shadow of
Me mystically one in another
another another to subserve.
About the Author
Susan Howe has won the Bollingen Prize, the Frost Medal, and the Griffin Award. She is the author of such seminal works as Debths, That This, The Midnight, My Emily Dickinson, The Quarry, and The Birthmark. James Welling, b. 1951, is an acclaimed experimental artist who employs a wide variety of photographic tools and media.
Reviews
"For nearly thirty years, Howe has occupied a particular and invaluable place in American poetry. She's a rigorously skeptical and a profoundly visionary poet, a writer whose demystifying intelligence is matched by a passionate embrace of poetry's rejuvenating power." -- John Palattella - The Boston Review
"An important voice in contemporary literature, a signal inheritor of an American poetic tradition. Like Dickinson, her Massachusetts muse, Howe turns the English of a self steeped in books such that every word, as in Scripture, glows with an almost moral quality." -- Artforum
"Monomania has its rewards-an incantatory power that shines through. Howe's images, being historical as well as biographical, have the eerie sharing of ghosts half-believed in, giving a surreal, dreamlike atmosphere reminiscent of Borges at his sharpest." -- Kirkus Reviews
Book Information
ISBN 9780811219181
Author Susan Howe
Format Paperback
Page Count 112
Imprint New Directions Publishing Corporation
Publisher New Directions Publishing Corporation
Weight(grams) 170g
Dimensions(mm) 229mm * 155mm * 10mm
