Description
Focuses on the operatic soprano as the diva and her relationships with technology from the 1820s to the digital age.
About the Author
Karen Henson is Associate Professor at the Frost School of Music, University of Miami. She trained at the University of Oxford and in Paris, and her work has been supported by fellowships and awards from The British Academy, the Stanford Humanities Center, and the Radcliffe Institute for Advanced Study, Harvard University. Henson's research focuses on nineteenth-century opera, singers and opera performance, and opera and technology. She is the author of Opera Acts: Singers and Performance in the Late Nineteenth Century (Cambridge, 2015). She is currently working on a book about opera and early sound recording.
Reviews
'Is a 'diva' a coddled megastar, or an archetype of female power? Is 'technology' a euphemism for the modern world's threat to artistic tradition, or a synonym for craft and innovation? The essays in this book will leave opera-lovers questioning their assumptions - and turning the page to read more.' Anne Midgette, classical music critic, The Washington Post
'What can, what should, technology do for the diva? Can such a starry, extravagant symbol find a place within our imaginings of industrial and post-industrial modernity? This engaging collection of essays, which ranges over two hundred years of opera, offers a fascinating and surprisingly positive answer.' Roger Parker, King's College London
Book Information
ISBN 9781108723336
Author Karen Henson
Format Paperback
Page Count 244
Imprint Cambridge University Press
Publisher Cambridge University Press
Weight(grams) 480g
Dimensions(mm) 244mm * 189mm * 13mm