Description
Gwyneth Lewis's highly inventive Sparrow Tree puts nature writing in a spin, presenting a huge variety of birds, both British and American: blue tits, blackbirds, egrets, juncos, starlings, herons and hummingbirds as well as the sparrows of the title. The book explores birds as mouthpieces for inhuman song and the wild inside the mind. Launching flights of avian fancy or fantasy on several levels, Sparrow Tree moves from birdsong as proto-language to birds as decorative beings. The collection includes her already well-known How to Knit a Poem, commissioned by BBC Radio 4, and ends with images of the human word as a form of love. Winner of the Roland Mathias Poetry Award (Wales Book of the Year).
About the Author
Gwyneth Lewis was Wales's National Poet from 2005 to 2006, the first writer to be given the Welsh laureateship. Her first six books of poetry in Welsh and English were followed by Chaotic Angels (2005) from Bloodaxe, which brings together the poems from her English collections, Parables & Faxes, Zero Gravity and Keeping Mum, and by A Hospital Odyssey (2010), and Sparrow Tree (2011), winner of the Roland Mathias Poetry Award (Wales Book of the Year) in 2012. Her other books include Sunbathing in the Rain: A Cheerful Book about Depression (Flamingo, 2002) and Two in a Boat: A Marital Voyage (Fourth Estate, 2005) and The Meat Tree: new stories from the Mabinogion (Seren, 2010). Her Welsh collection, Y Llofrudd Iaith (Barddas, 2000), won the Welsh Arts Council Book of the Year Prize, and her English collection, Keeping Mum was shortlisted for the same prize. Both Zero Gravity and Keeping Mum were Poetry Book Society Recommendations. Gwyneth Lewis composed the words on the front of the Wales Millennium Centre in Cardiff, opened in 2004. In 2014 she dramatised her book-length poem A Hospital Odyssey for the BBC, broadcast on Radio 4's Afternoon Drama, and delivered her Newcastle/Bloodaxe Poetry Lectures, published in Quantum Poetics (Bloodaxe Books, 2015). She lives in Cardiff.
Reviews
These are poems that gather darkly and peck. They feint and play hazardously with their beaks and sometimes take to wing... These are poems more concerned with the mechanisms of song - both human and avian - than they are with the song itself, and it is this resistance that makes the poems so often mesmerising...What Lewis pulls off...feels like an avian feat: she strikes a fine, improbable balance between gravity and levity. Even as her speaker struggles to access the language, to get the voice right, she gets us off the ground and ungiddily bids us, look. -- Elyse Fenton * New Welsh Review *
Book Information
ISBN 9781852248994
Author Gwyneth Lewis
Format Paperback
Page Count 64
Imprint Bloodaxe Books Ltd
Publisher Bloodaxe Books Ltd
About the Author
Gwyneth Lewis was Wales's National Poet from 2005 to 2006, the first writer to be given the Welsh laureateship. Her first six books of poetry in Welsh and English were followed by Chaotic Angels (2005) from Bloodaxe, which brings together the poems from her English collections, Parables & Faxes, Zero Gravity and Keeping Mum, and by A Hospital Odyssey (2010), and Sparrow Tree (2011), winner of the Roland Mathias Poetry Award (Wales Book of the Year) in 2012. Her other books include Sunbathing in the Rain: A Cheerful Book about Depression (Flamingo, 2002) and Two in a Boat: A Marital Voyage (Fourth Estate, 2005) and The Meat Tree: new stories from the Mabinogion (Seren, 2010). Her Welsh collection, Y Llofrudd Iaith (Barddas, 2000), won the Welsh Arts Council Book of the Year Prize, and her English collection, Keeping Mum was shortlisted for the same prize. Both Zero Gravity and Keeping Mum were Poetry Book Society Recommendations. Gwyneth Lewis composed the words on the front of the Wales Millennium Centre in Cardiff, opened in 2004. In 2014 she dramatised her book-length poem A Hospital Odyssey for the BBC, broadcast on Radio 4's Afternoon Drama, and delivered her Newcastle/Bloodaxe Poetry Lectures, published in Quantum Poetics (Bloodaxe Books, 2015). She lives in Cardiff.
Reviews
These are poems that gather darkly and peck. They feint and play hazardously with their beaks and sometimes take to wing... These are poems more concerned with the mechanisms of song - both human and avian - than they are with the song itself, and it is this resistance that makes the poems so often mesmerising...What Lewis pulls off...feels like an avian feat: she strikes a fine, improbable balance between gravity and levity. Even as her speaker struggles to access the language, to get the voice right, she gets us off the ground and ungiddily bids us, look. -- Elyse Fenton * New Welsh Review *
Book Information
ISBN 9781852248994
Author Gwyneth Lewis
Format Paperback
Page Count 64
Imprint Bloodaxe Books Ltd
Publisher Bloodaxe Books Ltd
