Description
In the period of radical change that was 1963 to 1983, young Black artists at the beginning of their careers in the USA confronted key questions and pressures. How could they make art that would stand as innovative, original, formally and materially complex, while also making work that reflected their concerns and experience as African Americans? This significant new publication surveys this crucial period in American art history, bringing to light previously neglected histories of twentieth-century Black artists, including Frank Bowling, Sam Gilliam, Melvin Edwards, Bettye Saar, Jack Whitten and William T. Williams.
This book presents era-defining artworks that changed the face of art in America, and features substantial essays from curators Mark Godfrey and Zoe Whitley, writing on abstraction and figuration respectively. It also explores art historical and social contexts with subjects including black feminism; AfriCOBRA and other artist-run groups; the role of museums in the debates of the period; and where visual art sat in relation to the Black Arts Movement.
About the Author
Mark Godfrey is Senior Curator, International Art (Europe and Americas) at Tate Modern Zoe Whitley is Adjunct Research Curator, Tate Modern
Book Information
ISBN 9781849764636
Author Mark Godfrey
Format Paperback
Page Count 240
Imprint Tate Publishing
Publisher Tate Publishing