Description
Combining stories of her own coming of age as a moviegoer with film history, cultural history, and readings of significant films, Williams presents a fascinating history of the on-screen kiss, a look at the shift from adolescent kisses to more grown-up displays of sex, and a comparison of the "tasteful" Hollywood sexual interlude with sexuality as represented in sexploitation, Blaxploitation, and avant-garde films. She considers Last Tango in Paris and Deep Throat, two 1972 films unapologetically all about sex; In the Realm of the Senses, the only work of 1970s international cinema that combined hard-core sex with erotic art; and the sexual provocations of the mainstream movies Blue Velvet and Brokeback Mountain. She describes art films since the 1990s, in which the sex is aggressive, loveless, or alienated. Finally, Williams reflects on the experience of screening sex on small screens at home rather than on large screens in public. By understanding screening sex as both revelation and concealment, Williams has written the definitive study of sex at the movies.
Linda Williams is Professor of Film Studies and Rhetoric at the University of California, Berkeley. Her books include Porn Studies, also published by Duke University Press; Playing the Race Card: Melodramas of Black and White from Uncle Tom to O. J. Simpson; Viewing Positions: Ways of Seeing Film; and Hard Core: Power, Pleasure, and the "Frenzy of the Visible."
A John Hope Franklin Center Book
November
424 pages
129 illustrations
6x9 trim size
ISBN 0-8223-0-8223-4285-5
paper, $24.95
ISBN 0-8223-0-8223-4263-4
library cloth edition, $89.95
ISBN 978-0-8223-4285-4
paper, $24.95
ISBN 978-0-8223-4263-2
library cloth edition, $89.95
Discusses the cinematic conventions for portraying sex acts in film
About the Author
Linda Williams is Professor of Film Studies and Rhetoric at the University of California, Berkeley. Her books include Porn Studies, also published by Duke University Press; Playing the Race Card: Melodramas of Black and White from Uncle Tom to O. J. Simpson; Viewing Positions: Ways of Seeing Film; and Hard Core: Power, Pleasure, and the "Frenzy of the Visible."
Reviews
"Screening Sex is a truly remarkable follow-up to Linda Williams's groundbreaking book Hard Core. It reaffirms her place as the leading feminist scholar of the history and theory of on-screen sex. Not that it was ever in doubt."- Jane Gaines, author of Fire and Desire: Mixed Race Movies in the Silent Era
"Linda Williams is a terrific storyteller about sex, and, as she tracks the growth of her own cinematically mediated sexual consciousness, we go to the movies with her, imagining as though for the first time new encounters with explicitness, new sexual knowledge, and new spectatorial sensations."-Lauren Berlant, author of The Female Complaint: The Unfinished Business of Sentimentality in American Culture
"With Screening Sex, Linda Williams establishes herself as not only the preeminent scholar of cinematic eroticism, but also the most significant voice in cinema studies of her generation."- Eric Schaefer, author of "Bold! Daring! Shocking! True!" A History of Exploitation Films, 1919-1958
Book Information
ISBN 9780822342854
Author Linda Williams
Format Paperback
Page Count 424
Imprint Duke University Press
Publisher Duke University Press
Weight(grams) 640g