Description
- Unites American 'independent' cinema, the European and International Art film, and certain modes of avant-garde filmmaking on the basis of their shared storytelling complexity
- Draws upon the expertise of film scholars from North America, Britain, China, Poland, Holland, Italy, Greece, New Zealand, and Australia
About the Author
Warren Buckland is Reader in Film Studies at Oxford Brookes University, UK. He is author of Directed by Steven Spielberg and The Cognitive Semiotics of Film, and co-author (with Thomas Elsaesser) of Studying Contemporary American Film.
Reviews
"Barratt makes excellent use of graphics to help illustrate the strategies employed by Shyamalan to prevent the first-time viewer anticipating the aforementioned twist . . . ultimately though, Buckland's collection does provide a thought-provoking study of what has become an important genre in contemporary cinema." (Scope Book Reviews, 1 February 2011)
"A timely and insightful guide to some of the more complex and labyrinthine currents in recent cinema, drawing on an admirable range of examples from around the globe. Geoff King, Professor of Film and TV Studies, Brunel University
Book Information
ISBN 9781405168625
Author Warren Buckland
Format Paperback
Page Count 252
Imprint Wiley-Blackwell
Publisher John Wiley and Sons Ltd
Weight(grams) 381g
Dimensions(mm) 230mm * 154mm * 16mm