Examines the legacy of imperialism and decolonisation, globalisation and national identity Graham MacPhee explains how postwar writers blended the experimentalism of prewar modernism with other cultural traditions to represent both the pain and the pleasures of multiculturalism. He discusses a wide range of writers, from Auden, Orwell, T.S. Eliot and Larkin to Linton Kwesi Johnson, Tony Harrison, Kazuo Ishiguro and Ian McEwan. Key Features * Explores concepts and critical terms such as 'British national literature', 'new ethnicities', 'migrancy' and 'hybridity' * Case studies of postwar texts include: Sam Selvon's The Lonely Londoners, John Arden's Serjeant Musgrave's Dance, Linton Kwesi Johnson's Dread Beat an' Blood, Tony Harrison's V, Kazuo Ishiguro's The Remains of the Day, Leila Aboulela's Minaret and Ian McEwan's Saturday

About the Author
Graham MacPhee is Assistant Professor of English at West Chester University. He is the author of The Architecture of the Visible: Technology and Urban Visual Culture (Continuum, 2nd edn, 2007) and co-editor, with Prem Poddar, of Empire and After: Englishness in Postcolonial Perspective (Berghahn, 2007).

Reviews
Graham MacPhee brilliantly follows the historical tracks of empire into the heartlands of post-war British literature, an area often assumed to be relatively untouched by colonial impacts and their contingent modernist entanglements. This timely and necessary study lays bare how colonial cultural legacies are everywhere palpable within this landscape. -- Elleke Boehmer, Professor of World Literature in English, University of Oxford



Book Information
ISBN 9780748639014
Author Graham MacPhee
Format Paperback
Page Count 200
Imprint Edinburgh University Press
Publisher Edinburgh University Press
Weight(grams) 304g