Description
Reeves has brought his own fresh subtlety and distinctiveness to the developing history and expressive potential of abstraction. His printmaking experiments have encompassed both innovative uses of the etching plate and the deployment of found objects. Such work has led to his recognition as an artist of note, particularly in Scotland where he has had many exhibitions. Author Christopher Andreae charts this exhibition history alongside Reeves' impact as a teacher at Glasgow School of Art and as a founding member of print studios in Edinburgh and Glasgow.
The breadth of Reeves's work, illustrated extensively here for the first time, may surprise even those who know and like his art. Those who are yet to encounter the oeuvre will find in Philip Reeves a fascinating introduction to a highly inventive artist.
About the Author
Christopher Andreae wrote about art from the early 1960s onwards, in books and shorter pieces of journalism. He is the author of Mary Fedden: Enigmas and Variations (2007 and 2014), Joan Eardley (2013), Mary Newcomb (1996 and 2007), A Word or Two (a collection of essays published in 2004) and Winifred Nicholson (2009).
Book Information
ISBN 9781848221673
Author Christopher Andreae
Format Hardback
Page Count 128
Imprint Lund Humphries Publishers Ltd
Publisher Lund Humphries Publishers Ltd