Description
Focusing on the trope of passing--black characters lightskinned enough to pass for white--M. Giulia Fabi shows how early African American authors such as William Wells Brown, Frank J. Webb, Charles W. Chesnutt, Sutton E. Griggs, Frances E. W. Harper, Edward A. Johnson, and James Weldon Johnson transformed traditional representations of blackness and moved beyond the tragic mulatto motif. Challenging the myths of racial purity and the color line, these authors used passing to celebrate a distinctive, African American history, culture, and worldview.
Fabi examines how early black writers adapted existing literary forms, including the sentimental romance, the domestic novel, and the utopian novel, to express their convictions and concerns about slavery, segregation, and racism. Chesnutt used passing as both a structural and a thematic element, while James Weldon Johnson innovated by parodying the earlier novels of passing and presenting the decision to pass as the result, rather than the cause, of cultural alienation. Fabi also gives a historical overview of the canon-making enterprises of African American critics from the 1850s to the 1990s and considers how their concerns about promoting the canonization of African American literature affected their perceptions of nineteenth-century black fiction.
About the Author
M. Giulia Fabi, an associate professor of American literature at the University of Ferrara, Italy, is a contributor to The Oxford Companion to African American Literature and The Cambridge Companion to the African American Novel.
Reviews
A CHOICE Outstanding Academic Title, 2003.
Book Information
ISBN 9780252072482
Author M. Giulia Fabi
Format Paperback
Page Count 208
Imprint University of Illinois Press
Publisher University of Illinois Press
Weight(grams) 313g
Dimensions(mm) 229mm * 152mm * 15mm