Olivia A. Bloechl reconceives the history of French and English music from the sixteenth through to the eighteenth century from the perspective of colonial history. She demonstrates how encounters with Native American music in the early years of colonization changed the course of European music history. Colonial wealth provided for sumptuous and elite musical display, and American musical practices, materials, and ideas fed Europeans' taste for exoticism, as in the masques, ballets, and operas discussed here. The gradual association of Native American song with derogatory stereotypes of musical 'savagery' pressed Europeans to distinguish their own music as civilized and rational. Drawing on evidence from a wide array of musical, linguistic, and visual sources, this book demonstrates that early American colonization shaped European music cultures in fundamental ways, and it offers a fresh, politically and transculturally informed approach to the study of music in the early colonial Atlantic world.

A study of how Native American music changed the course of European music history.

About the Author
Olivia A. Bloechl is Assistant Professor in the Department of Musicology, University of California, Los Angeles.

Reviews
"Bloechl's detailed investigation of relationships and interfaces, conflicts and accommodations, is wide-ranging, thoughtful, and persuasive. Her book is an important contribution not only to music studies but to Native American Studies, a broad, interdisciplinary field. --Journal of American Ethnic History



Book Information
ISBN 9781108940832
Author Olivia A. Bloechl
Format Paperback
Page Count 301
Imprint Cambridge University Press
Publisher Cambridge University Press
Weight(grams) 467g
Dimensions(mm) 229mm * 151mm * 18mm