Description
This collection of essays explores the cultures that coalesced around printed music in previous centuries. It focuses on the unique modes through which print organized the presentation of musical texts, the conception of written compositions, and the ways in which music was disseminated and performed. In highlighting the tensions that exist between musical print and performance this volume raises not only the question of how older scores can be read today, but also how music expressed its meanings to listeners in the past.
About the Author
Book Information
ISBN 9780815325741
Author Kate van Orden
Format Hardback
Page Count 376
Imprint Routledge
Publisher Taylor & Francis Inc
Weight(grams) 453g
About the Author
Kate van Orden is Assistant Professor of Music at the University of California, Berkeley. She has published on the Renaissance chanson and on French symbolism and music. She also specializes in historical performance on the bassoon and has performed and recorded with such ensembles as Les Arts Florissants, Collegium Vocale Ghent, Tafelmusik, and La Petite Bande.
Book Information
ISBN 9780815325741
Author Kate van Orden
Format Hardback
Page Count 376
Imprint Routledge
Publisher Taylor & Francis Inc
Weight(grams) 453g
