In her first collection of plays, Olivier award-winning playwright and screenwriter Morgan Lloyd Malcolm's talent for writing complex female characters is on dazzling display. Belongings (2011): "Malcolm's writing is sharp and witty but also very powerful in places. Her use of humour can be shocking but it helps to balance out the weighty issues being explored: guilt, gender and family politics, sex as both a commodity and a weapon. Touching, funny and brutal, this is - on many levels - an impressive first work." - Exeunt The Wasp (2015): "Morgan Lloyd Malcolm's two-hander is sprung like a bear trap, a play with very sharp teeth." - The Stage Mum (2021): "Lloyd Malcolm, who resurrected a 17th-century feminist poet for her riotous 2018 hit Emilia, here spills the dark side of modern maternity: exhausted anxiety, love-hate co-dependency, what happens when your very worst fears come true." - Evening Standard When The Long Trick's Over (2022): "Grief can feel like drowning. And in Morgan Lloyd Malcolm's play about a swimmer with the challenge to cross the Channel, it is voluminous." - Guardian The Passenger (2021): Originally commissioned and produced by Shakespeare's Globe, this piece recounts the experience of the author's childhood terrors. A shadowy figure who follows. Has it followed us here? How will she escape him? The Passenger was staged as a part of the first Terrifying Women showcase at the Golden Goose Theatre, London, in October 2021. Morgan Lloyd Malcolm's play Emilia became a hit show in summer 2018 before transferring to the West End in 2019, winning three Olivier awards. Her adaptation of her play The Wasp completed filming at the end of 2022 starring Naomie Harris and Natalie Dormer and directed by Guillem Morales. Her play Belongings was shortlisted for the Charles Wintour Most Promising Playwright Award. She formed Terrifying Women with Abi Zakarian, Sampira and Amanda Castro in 2021 with an aim to producing more horror in theatre.

The first collection of Oliver award-winning playwright Morgan Lloyd Malcolm's complex feminist plays, including two which have now been adapted for the screen and an unpublished horror short play from her collaborative theatre company Terrifying Women.

About the Author
Morgan Lloyd Malcolm is a playwright and screenwriter. Her play Emilia (Shakespeare's Globe, 2018) transferred to the West End the following year. Her play Belongings premiered at the Hampstead Theatre and Trafalgar Studios (2011) and was shortlisted for the Charles Wintour Most Promising Playwright Award and her play The Wasp at Hampstead Theatre also transferred to Trafalgar Studios in 2015. She has co-written several acclaimed immersive site-specific plays with Katie Lyons, produced by Look Left Look Right, including You Once Said Yes, Above and Beyond and Once Upon a Christmas. She wrote and performed comedy for several years as part of the comedy group Trippplicate. She was part of the writing team for four of the Lyric Hammersmith's pantomimes from 2009-2012 and wrote (solo) the Bolton Octagon's Christmas plays for 2013 and 2014. She has written two large community plays for the Old Vic New Voices: Platform and Epidemic. She formed Terrifying Women with Abi Zakarian, Sampira and Amanda Castro in 2021 with an aim to producing more horror in theatre. She is also working in Film and Television; her film adaptation of her play The Wasp is due out in 2023 and her TV adaptation of Josephine Hart's Damage is also due out on Netflix in 2023.


Book Information
ISBN 9781350424326
Author Morgan Lloyd Malcolm
Format Paperback
Page Count 224
Imprint Methuen Drama
Publisher Bloomsbury Publishing PLC