The first years of the twenty-first century have witnessed an impressive re-evaluation of Islamic art and archaeology. However, while museums and galleries become increasingly important forums for public interest in Muslim cultures, there has been little discussion about content or categories of order and their new role in the light of modern Museology, museum pedagogy and new approaches in other fields of knowledge. This volume provides a historical and conceptual analysis of Islamic art and documents the successes and failings of its presentation in museums worldwide thus far. The contributors challenge existing notions regarding the research, methodology and analysis of Islamic art and investigate the extent to which socio-historical and anthropological approaches result in new analytical perspectives. They also examine the difficulties that need to be overcome when presenting Islamic art to avoid reducing the objects merely to the visual and aesthetic. Museums covered in detail include the David Collection, Brooklyn Museum's Arts of the Islamic World Galleries, the Museum of Islamic Art in Doha, the Hermitage Museum, the British Museum, the Aga Khan Museum in Toronto and the Pergamon Museum.

About the Author
About the editors: Benoit Junod is the Director of the Museums and Exhibitions Unit of the Aga Khan Trust for Culture. Stefan Weber is the Director of the Museum of Islamic Art at the Pergamon Museum in Berlin. Georges Khalil is one of the founders of 'Europe in the Middle East - The Middle East in Europe' research programme. Gerhard Wolf is the Director of he History of Art Unit at the Max- Planck Institute in Florence. Editor locations: Berlin, Germany; Florence, Italy and Toronto, Canada.


Book Information
ISBN 9780863564130
Author Benoit Junod
Format Paperback
Page Count 374
Imprint Saqi Books
Publisher Saqi Books
Dimensions(mm) 235mm * 170mm * 26mm