Description
The conventional literary history of the eighteenth century holds that upstart novelists and other intensely serious writers worked against the conservative and ironic sensibility of an earlier generation of satirists. However, many of these ostensibly earnest writers were exceptional satirists in their own right, employing the same ruses, tricks, and deceptions throughout their work. The novels of such canonical figures as Behn and Defoe, for example, passed themselves off as real documents, just as an earlier generation of hack writers combined the serious and the absurd. Re-examining this nexus between the ludicrous and the solemn, Shane Herron argues that intense earnestness was itself a central component of the ironic sensibility of the great age of literary satire and of Swift's work in particular. The sensationalism and confessionalism of earnestness were frequently employed tendentiously, while ironic and satirical literature often incorporated genuine moments of earnestness to advance writerly aims.
Shane Herron demonstrates how eighteenth-century irony was used not only in derision but also to clarify and sharpen emotional investments.
About the Author
Shane Herron is a contributing editor at The Scriblerian. He holds Academic Status in the College of Humanities, Arts and Social Sciences, Flinders University, and has taught English at a number of Universities in the US. His work has appeared in Theory & Event, Studies in English Literature, and Eighteenth-Century Fiction, among other venues.
Reviews
'The book is well structured, well argued, and well written ... Recommended.' J. T. Lynch, Choice
'... Herron provides an in-depth and exhaustive examination of Swift's irony and his earnest engagements while considering all their moral and political implications. Beginning with a discussion of the irony of The Colbert Report and closing with a discussion of contemporary conspiracy theories, this study dwells on that most complex and confusing aspect of irony and the role of the satirist - 'the ability to genuinely, even affectionately, channel and inhabit its targets'. The result for this reader is that I now read Swift, and The Onion, with a new critical appreciation.' Scott Nowka, Eighteenth-Century Fiction
Book Information
ISBN 9781108834438
Author Shane Herron
Format Hardback
Page Count 250
Imprint Cambridge University Press
Publisher Cambridge University Press
Weight(grams) 510g
Dimensions(mm) 235mm * 159mm * 20mm
Shane Herron demonstrates how eighteenth-century irony was used not only in derision but also to clarify and sharpen emotional investments.
About the Author
Shane Herron is a contributing editor at The Scriblerian. He holds Academic Status in the College of Humanities, Arts and Social Sciences, Flinders University, and has taught English at a number of Universities in the US. His work has appeared in Theory & Event, Studies in English Literature, and Eighteenth-Century Fiction, among other venues.
Reviews
'The book is well structured, well argued, and well written ... Recommended.' J. T. Lynch, Choice
'... Herron provides an in-depth and exhaustive examination of Swift's irony and his earnest engagements while considering all their moral and political implications. Beginning with a discussion of the irony of The Colbert Report and closing with a discussion of contemporary conspiracy theories, this study dwells on that most complex and confusing aspect of irony and the role of the satirist - 'the ability to genuinely, even affectionately, channel and inhabit its targets'. The result for this reader is that I now read Swift, and The Onion, with a new critical appreciation.' Scott Nowka, Eighteenth-Century Fiction
Book Information
ISBN 9781108834438
Author Shane Herron
Format Hardback
Page Count 250
Imprint Cambridge University Press
Publisher Cambridge University Press
Weight(grams) 510g
Dimensions(mm) 235mm * 159mm * 20mm
