Description
John Gill provides a revealing insight into how Haynes confronts issues of race, sexuality and class in a suburban 1950s American neighbourhood. Haynes has been evasive when pressed for a definitive explanation of his film, although as Gill contends, he has left enough evidence lying around on screen for the keen viewer to pick up on numerous disturbing strands at work beneath the glossy surface of this sumptuously presented weepie. While it may affect to pass as a classic of the genre, Haynes's ultimate aim, Gill contends, is to undermine the nature and notion of cinema and storytelling.
John Gill has done a fine job in the latest of the BFI's Film Classics series in examining the peculiar charms of this endlessly fascinating picture...' - The Crack
About the Author
JOHN GILL is a former senior editor of Time Out London, editor of DOX International Documentary Quarterly and is the author of eight books, including Queer Noises: Male and Female Homosexuality in 20th Century Music (1995). He has written for publications ranging from Smash Hits to The Times.
Reviews
John Gill has done a fine job in the latest of the BFI's Film Classics series in examining the peculiar charms of this endlessly fascinating picture... -- The Crack
Book Information
ISBN 9781844572878
Author John Gill
Format Paperback
Page Count 112
Imprint BFI Publishing
Publisher Bloomsbury Publishing PLC