Description
An introduction on how camera techniques can be used to produce particular dramatic effects, through a close reading of clips from 45 movies including Goodfellas, The Graduate and Harold and Maude.
About the Author
Gail Segal is an Associate Arts Professor in the Graduate Division of Film and TV and the Department Head of Interdisciplinary Collaborations at NYU's Tisch School of the Arts, USA. Sheril Antonio is an Associate Arts Professor in the Department of Art and Public Policy and the Senior Associate Dean for Strategic Initiatives at NYU's Tisch School of the Arts, USA.
Reviews
This book is filled with the same love and knowledge of cinema that I experienced as a graduate student at NYU. I'm so excited that others can now share this knowledge. Drawing from important references both classic and new, Segal and Antonio guide us through the seemingly infinite possibilities of our craft, whilst beautifully illustrating its traditions. It is a wonderful resource for both experienced filmmakers and students. A treasure. * Joshua James Richards, Director of Photography of Nomadland (2020) *
I really appreciate how a book like this introduces language and thinking that reflects a broader cultural perspective on the arts into the aesthetics of film form (i.e. referencing Seamus Heaney not because of his stature as a poet, but because of this insight as an artist and the way in which poetic and aesthetic insight is so relevant and so inspirational). Segal and Antonio weave their elegant prose with analytic insight; the writing is warm, passionate and precise. * Rick Litvin, Arts Professor, Tisch School of the Arts, New York University, USA *
Book Information
ISBN 9781474285827
Author Dr. Gail Segal
Format Paperback
Page Count 232
Imprint Bloomsbury Academic
Publisher Bloomsbury Publishing PLC
Weight(grams) 896g