The founding in 1777 of the Journal de Paris, France's first daily and distinctly commercial paper, represents an early use of disinformation as a tool for political gain, profit, and societal division. To attract a large readership and bar competition for C. W. Gluck's works at the Paris Opera, it launched a prolonged campaign of anonymous lies, mockery and defamation against two prominent members of the Academie Francaise who wished the Opera to be open to all deserving composers, but lacked a comparable daily forum with which to defend themselves. In this unique episode, music served as a smokescreen for nefarious activity. No musical knowledge is necessary to follow this purely political drama, in which the tactics employed bear a remarkable resemblance to current events.

Book Information
ISBN 9780367350178
Author Beverly Scheibert
Format Hardback
Page Count 160
Imprint Routledge
Publisher Taylor & Francis Ltd