Description
Taylor uses performance theory to explore how public spectacle both builds and dismantles a sense of national and gender identity. Here, nation is understood as a product of communal "imaginings" that are rehearsed, written, and staged-and spectacle is the desiring machine at work in those imaginings. Taylor argues that the founding scenario of Argentineness stages the struggle for national identity as a battle between men-fought on, over, and through the feminine body of the Motherland. She shows how the military's representations of itself as the model of national authenticity established the parameters of the conflict in the 70s and 80s, feminized the enemy, and positioned the public-limiting its ability to respond. Those who challenged the dictatorship, from the Mothers of the Plaza de Mayo to progressive theater practitioners, found themselves in what Taylor describes as "bad scripts." Describing the images, myths, performances, and explanatory narratives that have informed Argentina's national drama, Disappearing Acts offers a telling analysis of the aesthetics of violence and the disappearance of civil society during Argentina's spectacle of terror.
About the Author
Diana Taylor is Professor of Spanish and Comparative Literature at Dartmouth College. She is coeditor of Negotiating Performance, also published by Duke University Press.
Reviews
"Disappearing Acts is brilliant. Clearly written, passionate, informed, will-argued, interesting in the extreme, it is a model piece of scholarship."-Richard Schechner, New York University
"Stunning, in every sense. Disappearing Acts is a compelling performance in words and in pictures of the seductions played by Argentina's dictatorship."-Doris Sommer, Harvard University
Book Information
ISBN 9780822318682
Author Diana Taylor
Format Paperback
Page Count 328
Imprint Duke University Press
Publisher Duke University Press
Weight(grams) 549g