Open from 1942 until 1945, the Hollywood Canteen was the most famous of the patriotic home front nightclubs where civilian hostesses jitterbugged with enlisted men of the Allied Nations. Since the opening night, when the crowds were so thick that Bette Davis had to enter through the bathroom window to give her welcome speech, the storied dance floor where movie stars danced with soldiers has been the subject of much U.S. nostalgia about the "Greatest Generation." Drawing from oral histories with civilian volunteers and military guests who danced at the wartime nightclub, Sherrie Tucker explores how jitterbugging swing culture has come to represent the war in U.S. national memory. Yet her interviewees' varied experiences and recollections belie the possibility of any singular historical narrative. Some recall racism, sexism, and inequality on the nightclub's dance floor and in Los Angeles neighborhoods, dynamics at odds with the U.S. democratic, egalitarian ideals associated with the Hollywood Canteen and the "Good War" in popular culture narratives. For Tucker, swing dancing's torque-bodies sharing weight, velocity, and turning power without guaranteed outcomes-is an apt metaphor for the jostling narratives, different perspectives, unsteady memories, and quotidian acts that comprise social history.

About the Author
Sherrie Tucker is Professor of American Studies at the University of Kansas. She is the author of Swing Shift: "All-Girl" Bands of the 1940s and coeditor of Big Ears: Listening for Gender in Jazz Studies, both also published by Duke University Press.


Reviews
"Dance Floor Democracy is a model for what we might call embodied social and cultural history: works that takes the body (including that of the researcher herself) as a site of knowledge. ... Dance Floor Democracy reveals scholarly practice as its own kind of dancing." -- Gayle Wald * Journal of Popular Music Studies *
"With its beautiful and clear writing style, this book would be of interest to an audience of general readers, as well as to specialists in dance and jazz. Tucker's research methodology in this book is applicable to a wide range of interdisciplinary fields, including jazz studies, American studies, African American studies, ethnomusicology, and anthropology." -- Yoko Suzuki * Women and Music *
"More than just a straightforward history of the Canteen, Tucker's smart and sophisticated analysis utilizes this unique wartime institution to understand the variety of ways in which WWII is remembered and memorialized in the present day. ... Dance Floor Democracy makes for a thoughtful, eye-opening account of the complexities of the World War II generation, especially given Tucker's masterful skills as an oral historian." -- Elizabeth R. Escobedo * Western Historical Quarterly *
"Tucker contributes here not only to the fields of history, jazz, and American studies but also to the burgeoning field of critical dance studies. Reckoning with dance, in Tucker's work, is a way to think differently about politics." -- Danielle Goldman * Journal of American History *
"Dance Floor Democracy is a valuable and exceptionally well-researched revisionist history of the Hollywood Canteen, critiquing not only the dominant paradigm of a friendly, democratic site, but also giving voice to the 'others' whose stories have been eclipsed by the feel-good memory of whom we wish we had been." -- Rebecca A. Bryant * Ethnomusicology *



Book Information
ISBN 9780822357575
Author Sherrie Tucker
Format Paperback
Page Count 408
Imprint Duke University Press
Publisher Duke University Press
Weight(grams) 558g