Description
Hughes offers a provocative reinterpretation of this key moment in American popular music and challenges the conventional wisdom about the racial politics of southern studios and the music that emerged from them. Drawing on interviews and rarely used archives, Hughes brings to life the daily world of session musicians, producers, and songwriters at the heart of the country and soul scenes. In doing so, he shows how the country-soul triangle gave birth to new ways of thinking about music, race, labor, and the South in this pivotal period.
About the Author
Charles L. Hughes is assistant professor of history at Oklahoma State University.
Reviews
A valuable corrective to the misleading renderings so often encountered in the literature about the period and in the popular imagination."" -Memphis Magazine
A fascinating behind-the-scenes look at the apparent spaces of racial harmony in the country-soul triangle.-Journal of Southern History
An essential piece of Southern musical history.-Kirkus Reviews
A powerful work.-Library Journal
An eye-opening corrective to notions of racial harmony in the recording studio or on the bandstand."" -Memphis Flyer
With its courageous, thoroughly researched, and deeply considered take on the racial politics of the southern music industry in a pivotal period for not just the music but the South and the nation at large, Country Soul claims its own essential place in the telling of that messy history.-Paste
This carefully researched study...presents interesting insights into the music and racial politics of a turbulent era.-CHOICE
Country Soul is an excellent place to begin a more honest accounting of this golden era.-Pitchfork Review
A fascinating read on many levels.-Stillwater News Press
Country Soul is a valuable addition to the literature on southern music, black and white.-American Historical Review""
A deep, fresh examination of various power relations involved in the making of soul music, country music, and the sonic space between them.-The Wall Street Journal
Exploring th[e] contradiction between universalism and racial particularism [in musical genres] gives . . . Country Soul, its power and insight.-Journal of American History
Book Information
ISBN 9781469633428
Author Charles L. Hughes
Format Paperback
Page Count 280
Imprint The University of North Carolina Press
Publisher The University of North Carolina Press
Weight(grams) 420g