Description
Beloved as the city of light, Paris in the nineteenth century sparked the acclaim of poets and the odium of the bourgeois with its distinctive sounds. Street vendors bellowed songs known as the Cris de Paris that had been associated with their trades since the Middle Ages; musicians itinerant and otherwise played for change; and flaneurs-writers, fascinated with the city's underside, listened and recorded much about what they heard.
Aimee Boutin tours the sonic space that orchestrated the different, often conflicting sound cultures that defined the street ambience of Paris. Mining accounts that range from guidebooks to verse, Boutin braids literary, cultural, and social history to reconstruct a lost auditory environment. Throughout, impressions of street noise shape writers' sense of place and perception of modern social relations. As Boutin shows, the din of the Cris contrasted economic abundance with the disparities of the capital, old and new traditions, and the vibrancy of street commerce with an increasing bourgeois demand for quiet. In time, peddlers who provided the soundtrack for Paris's narrow streets yielded to modernity, with its taciturn shopkeepers and wide-open boulevards, and the fading songs of the Cris became a dirge for the passing of old ways.
Making sense and art of peddlers' cries on the streets of Paris
About the Author
Aimee Boutin teaches French literature and culture in the Department of Modern Languages and Linguistics at Florida State University. She is the author of Maternal Echoes: The Poetry of Marceline Desbordes-Valmore and Alphonse de Lamartine.
Reviews
"Exploratory and rich in its investigation of multi-sensory critical methods as well as in its pursuit of the aural flaneur."--French Studies
"In an innovative effort to provide an auditory history of Paris, Boutin mined the works of 19th-century writers, poets, composers, and painters for descriptions of or images evoking the cris de Paris. Recommended."--Choice
"Boutin convinces us both of the possibility and the value in probing the sounds of the city of light in the nineteenth century."--Nineteenth Century Contexts
"Boutin does not shy away from the inevitable tensions between text and context arising from the analysis of literary, journalistic or visual discourse." --Transposition
"Readers from all disciplines will appreciate Boutin's elegant prose and her convincing argument that the City of Light has always been a city of sound."--Canadian Journal of History
"This richly documented and timely book makes an important contribution to studies in sensory history and enriches our understanding of the context in which nineteenth-century French poetry developed, illuminating the visceral shocks of modernity which writers placed at the heart of their work."--Nineteenth Century French Studies
"Boutin provides a particular perspective on comprehending nineteenth-century Paris as a "city of noise," and it is a rich one."--H-France Review
"In City of Noise, Aimee Boutin raises fresh critical questions about the status of sound, music, and noise that transform our understanding of nineteenth-century Parisian soundscapes. Starting with a familiar nineteenth-century Parisian figure--the flaneur--Boutin turns our attention to an under-explored facet of the flaneur: the sounds and noises encountered on a stroll through the city. Boutin offers lively discussions of rarely considered first-hand accounts of the different types of street music and street cries heard in the Parisian cityscape. By taking the unique perspective of the peddler, City of Noise brings that world to life in a way that has never been tackled before. Boutin offers a real sense of how noisy Paris was and how these noises affected its citizens and their way of going about their daily business. The vast array of multimedia materials considered here (from poetry to music criticism, to guidebooks and visual sketches) means that City of Noise will be of interest to scholars, students and amateurs of nineteenth-century Paris alike."--Helen Abbott, University of Sheffield
"City of Noise treats a timely, original, and intellectually rich topic: the street sounds of Paris in the nineteenth century and, no less essential, the experience, meaning, and depiction of those sounds."--James H. Johnson, author of Listening in Paris: A Cultural History
"City of Noise provides a fascinating perspective on the evolution of aural modernity in France. This is an important contribution to the interconnected fields of literary studies and history of the senses. Boutin's analysis compels us to tune in the sounds of the past, listen to the music and noise of texts, and hear the streets around us in new ways."--Cheryl Krueger, author of The Art of Procrastination: Baudelaire's Poetry in Prose
"This is an excellent and important piece of work, engaging and lucid while still being scholarly."--Richard Cullen Rath, author of How Early America Sounded
Book Information
ISBN 9780252080784
Author Aimee Boutin
Format Paperback
Page Count 208
Imprint University of Illinois Press
Publisher University of Illinois Press
Weight(grams) 313g
Dimensions(mm) 235mm * 156mm * 18mm
Aimee Boutin tours the sonic space that orchestrated the different, often conflicting sound cultures that defined the street ambience of Paris. Mining accounts that range from guidebooks to verse, Boutin braids literary, cultural, and social history to reconstruct a lost auditory environment. Throughout, impressions of street noise shape writers' sense of place and perception of modern social relations. As Boutin shows, the din of the Cris contrasted economic abundance with the disparities of the capital, old and new traditions, and the vibrancy of street commerce with an increasing bourgeois demand for quiet. In time, peddlers who provided the soundtrack for Paris's narrow streets yielded to modernity, with its taciturn shopkeepers and wide-open boulevards, and the fading songs of the Cris became a dirge for the passing of old ways.
Making sense and art of peddlers' cries on the streets of Paris
About the Author
Aimee Boutin teaches French literature and culture in the Department of Modern Languages and Linguistics at Florida State University. She is the author of Maternal Echoes: The Poetry of Marceline Desbordes-Valmore and Alphonse de Lamartine.
Reviews
"Exploratory and rich in its investigation of multi-sensory critical methods as well as in its pursuit of the aural flaneur."--French Studies
"In an innovative effort to provide an auditory history of Paris, Boutin mined the works of 19th-century writers, poets, composers, and painters for descriptions of or images evoking the cris de Paris. Recommended."--Choice
"Boutin convinces us both of the possibility and the value in probing the sounds of the city of light in the nineteenth century."--Nineteenth Century Contexts
"Boutin does not shy away from the inevitable tensions between text and context arising from the analysis of literary, journalistic or visual discourse." --Transposition
"Readers from all disciplines will appreciate Boutin's elegant prose and her convincing argument that the City of Light has always been a city of sound."--Canadian Journal of History
"This richly documented and timely book makes an important contribution to studies in sensory history and enriches our understanding of the context in which nineteenth-century French poetry developed, illuminating the visceral shocks of modernity which writers placed at the heart of their work."--Nineteenth Century French Studies
"Boutin provides a particular perspective on comprehending nineteenth-century Paris as a "city of noise," and it is a rich one."--H-France Review
"In City of Noise, Aimee Boutin raises fresh critical questions about the status of sound, music, and noise that transform our understanding of nineteenth-century Parisian soundscapes. Starting with a familiar nineteenth-century Parisian figure--the flaneur--Boutin turns our attention to an under-explored facet of the flaneur: the sounds and noises encountered on a stroll through the city. Boutin offers lively discussions of rarely considered first-hand accounts of the different types of street music and street cries heard in the Parisian cityscape. By taking the unique perspective of the peddler, City of Noise brings that world to life in a way that has never been tackled before. Boutin offers a real sense of how noisy Paris was and how these noises affected its citizens and their way of going about their daily business. The vast array of multimedia materials considered here (from poetry to music criticism, to guidebooks and visual sketches) means that City of Noise will be of interest to scholars, students and amateurs of nineteenth-century Paris alike."--Helen Abbott, University of Sheffield
"City of Noise treats a timely, original, and intellectually rich topic: the street sounds of Paris in the nineteenth century and, no less essential, the experience, meaning, and depiction of those sounds."--James H. Johnson, author of Listening in Paris: A Cultural History
"City of Noise provides a fascinating perspective on the evolution of aural modernity in France. This is an important contribution to the interconnected fields of literary studies and history of the senses. Boutin's analysis compels us to tune in the sounds of the past, listen to the music and noise of texts, and hear the streets around us in new ways."--Cheryl Krueger, author of The Art of Procrastination: Baudelaire's Poetry in Prose
"This is an excellent and important piece of work, engaging and lucid while still being scholarly."--Richard Cullen Rath, author of How Early America Sounded
Book Information
ISBN 9780252080784
Author Aimee Boutin
Format Paperback
Page Count 208
Imprint University of Illinois Press
Publisher University of Illinois Press
Weight(grams) 313g
Dimensions(mm) 235mm * 156mm * 18mm
