The first of its kind in English, this collection explores twenty one well established and lesser known female filmmakers from mainland China, Hong Kong, Taiwan, and the Chinese diaspora. Sixteen scholars illuminate these filmmakers' negotiations of local and global politics, cinematic representation, and issues of gender and sexuality, covering works from the 1920s to the present. Writing from the disciplines of Asian, women's, film, and auteur studies, contributors reclaim the work of Esther Eng, Tang Shu Shuen, Dong Kena, and Sylvia Chang, among others, who have transformed Chinese cinematic modernity. Chinese Women's Cinema is a unique, transcultural, interdisciplinary conversation on authorship, feminist cinema, transnational gender, and cinematic agency and representation. Lingzhen Wang's comprehensive introduction recounts the history and limitations of established feminist film theory, particularly its relationship with female cinematic authorship and agency. She also reviews critiques of classical feminist film theory, along with recent developments in feminist practice, altogether remapping feminist film discourse within transnational and interdisciplinary contexts. Wang's subsequent redefinition of women's cinema, and brief history of women's cinematic practices in modern China, encourage the reader to reposition gender and cinema within a transnational feminist configuration, such that power and knowledge are reexamined among and across cultures and nation-states.

If you thought gender was fading from cinema studies, prepare for a pleasant surprise. Lingzhen Wang's Chinese Women's Cinema puts the topic back under the spotlight. Ranging from mainland China to Hong Kong, Taiwan, and the diaspora, this mind-boggling array of explorations and interventions sparkles with energy. Wang's excellent introduction anchors conceptions of female agency, transnational feminism, and transborder Chinese cinema. The result is a new starting point for gender studies on this subject. -- Chris Berry, coauthor of China on Screen: Cinema and Nation

About the Author
Lingzhen Wang is associate professor of modern Chinese literature, gender studies, and Chinese film and media at Brown University. She is the author of Personal Matters: Women's Autobiographical Practice in Twentieth Century China and the editor and co-translator of Years of Sadness: Translation Anthology of Wang Anyi's Autobiographical Works.

Reviews
Recommended Choice Chinese Women's Cinema offers thoughtful theoretial interventions into feminist film theory and superb analyses of Chinese female filmmakers that will certainly spark additional study of historically constituted Chinese women's cinema and its complex negotiation of female subjectivities. -- Tina Mai Chen Cinema Journal



Book Information
ISBN 9780231156745
Author Lingzhen Wang
Format Hardback
Page Count 448
Imprint Columbia University Press
Publisher Columbia University Press