Description
Worrall presents an innovative transposition of social assemblage theory into eighteenth-century British theatre and performance history.
About the Author
David Worrall is Professor of English at Nottingham Trent University. He is the author of Theatric Revolution: Drama, Censorship and Romantic Period Subcultures, 1773-1832 (2006), The Politics of Romantic Theatricality: The Road to the Stage (2007) and Harlequin Empire: Race, Ethnicity and the Drama of the Popular Enlightenment (2007). He has held fellowships from the Leverhulme Trust, Lewis Walpole Library, Folger Shakespeare Library and Huntington Library, and the Library Company of Pennsylvania.
Reviews
'Quirky, original, entertaining ... liberally packed with fascinating material viewed from unusual perspectives.' The Times Literary Supplement
'This book brings groundbreaking research to bear on its discussion of actors, performances, audiences, and playhouses in Britain in the 1780s and 1790s ... [a] rich and fascinating study ...' Helen M. Burke, Restoration and Eighteenth-Century Theatre Research
Book Information
ISBN 9781107043602
Author David Worrall
Format Hardback
Page Count 311
Imprint Cambridge University Press
Publisher Cambridge University Press
Weight(grams) 600g
Dimensions(mm) 235mm * 157mm * 23mm