Description
Shows that, whether in the library, office, or home, the bookshelf is where and how we create categories to sort knowledge and experience and that every bookshelf tells a different story.
About the Author
Lydia Pyne (PhD) is a freelance writer, editor, historian, and Research Fellow in the Institute for Historical Studies at the University of Texas at Austin, USA. She is a contributing editor for The Appendix and a reviewer and essayist for NewPages and New York Journal of Books. She is the author of Seven Skeletons: The Evolution of the World's Most Famous Human Fossils (Viking, 2016) and, with Stephen J. Pyne, The Last Lost World: Ice Ages, Human Origins, and the Invention of the Pleistocene (Penguin, 2012).
Reviews
An absorbing meditation on an object of lasting cultural significance. * Sydney Morning Herald *
As the page is to the book, so is the bookshelf to our culture, that is the lesson of this delightful and stimulating essay. Anything can happen on a page, so too, we learn, a bookshelf partakes of that astonishing range of possibility, circumscribed only by rectilinear geometry, a mode nonpareil of storing, displaying, distributing, assembling, categorizing and contextualizing knowledge. Even virtually, it continues unabashed, as a metaphor, like browsing. A lovely glimpse of the joy and scale of human culture endeavor, its forms and functions, contexts and containers. * Richard Nash, Publisher, Red Lemonade *
Book Information
ISBN 9781501307324
Author Lydia Pyne
Format Paperback
Page Count 152
Imprint Bloomsbury Academic USA
Publisher Bloomsbury Publishing Plc
Weight(grams) 144g