The popular German streaming series Babylon Berlin-a neo-noir thriller set in the final years of the Weimar Republic-builds on the fascination with 1920s Berlin as a centre of political and economic upheaval, hedonistic nightlife, and vibrant artistic experimentation. Exploring Weimar's history and culture, its legacy, and its resonance in the early 21st century, this volume analyses Babylon Berlin and its unique contribution to contemporary visual culture. Since its inception in 2017 the series has reached audiences throughout Europe, Asia, and the Americas and has been met with both critical and popular acclaim. As a visual work rife with historical and contemporary citations Babylon Berlin offers its audience a panoramic view of politics, crime, culture, gender, and sexual relations in the German capital. Focusing especially on the intermedial and transhistorical dimensions of the series, across four parts-Babylon Berlin, Global Media and Fan Culture; The Look and Sound of Babylon Berlin; Representing Weimar History; and Weimar Intertexts-the volume brings together an international group of scholars to critically examine various facets of the show, including its aesthetic form and citational style, its representation of the history and politics of late Weimar, and its exemplary status as a blockbuster production of neoliberal media culture. Considering the series from the perspective of a variety of disciplines, Babylon Berlin, German Visual Spectacle, and Global Media Culture is essential reading for fans of the series and for scholars and students of cinema and media studies, visual culture, history, and German & European studies.

The first book to address the blockbuster television show Babylon Berlin, this volume of analytical essays provides a foundational resource for those who view, teach, and/or study the series.

About the Author
Hester Baer is Professor of German and Cinema & Media Studies at the University of Maryland, USA. She is the author of Dismantling the Dream Factory: Gender, German Cinema, and the Postwar Quest for a New Film Language (2009), German Cinema in the Age of Neoliberalism (2021), and a volume for the series German Film Classics on Ula Stoeckl's The Cat Has Nine Lives (2022). She currently serves as co-editor of The German Quarterly. Jill Suzanne Smith is Associate Professor of German and a contributing faculty member in Cinema Studies, Gender, Sexuality, and Women's Studies, and Urban Studies at Bowdoin College, USA. She is the author of Berlin Coquette: Prostitution and the New German Woman 1890-1933 (2013) and a volume editor for the Bloomsbury series A Cultural History of Prostitution.

Reviews
Required reading for any discerning fan of the television show or student of the culture, history, and politics of late Weimar. Hester Baer and Jill Smith have brought together an impressive group of scholars to show the critical potential of interdisciplinary work in film and media studies. * Sabine Hake, University of Texas at Austin, USA *
Babylon Berlin has brought international attention to German series productions. This volume helps us understand why. Exploring all aspects of the production: from the crime novels that serve as inspiration, to the tourists who search Berlin for their favorite location; from the images to the funding, Baer and Smith unite a transdisciplinary group of scholars whose focus on Babylon Berlin sets new standards in film and television scholarship. * Randall Halle, Klaus W. Jonas Professor of German Film and Cultural Studies, University of Pittsburgh, USA *



Book Information
ISBN 9781350370067
Author Hester Baer
Format Hardback
Page Count 272
Imprint Bloomsbury Visual Arts
Publisher Bloomsbury Publishing PLC