Though Gilles Deleuze and Felix Guattari were not strictly art historians, they reinvigorated ontological and formal approaches to art, and simultaneously borrowed art historical concepts for their own philosophical work. They were dedicated modernists, inspired by the German school of expressionist art historians such as Riegl, Woelfflin, and Worringer and the great modernist art critics such as Rosenberg, Steinberg, Greenberg, and Fried. The work of Deleuze and Guattari on mannerism and Baroque art has led to new approaches to these artistic periods, and their radical transdisciplinarity has influenced contemporary art like no other philosophy before it. Their work therefore raises important methodological questions on the differences and relations among philosophy, artistic practice, and art history. In Art History after Deleuze and Guattari international scholars from all three fields explore what a `Deleuzo-Guattarian art history' could be today. Contributors Eric Alliez (Kingston University, Universite Paris VIII), Claudia Blumle (Humboldt Universitat zu Berlin), Jean-Claude Bonne (Ecole des Hautes Etudes en Sciences Sociales), Ann-Cathrin Drews (Humboldt Universitat zu Berlin), James Elkins (School of the Art Institute of Chicago), Sascha Freyberg (Max Planck Institute for the History of Science), Antoine l'Heureux (independent researcher), Vlad Ionescu (Hasselt University), Juan Fernando Mejia Mosquera (Pontificia Universidad Javeriana), Gustavo Chirolla Ospina (Pontificia Universidad Javeriana), Bertrand Prevost (Universite Bordeaux Montaigne), Elisabeth von Samsonow (Akademie fur bildende Kunste Wien), Sjoerd van Tuinen (Erasmus University Rotterdam), Kamini Vellodi (Edinburgh College of Art), Stephen Zepke (independent researcher)

About the Author
Sjoerd van Tuinen is assistant professor of philosophy at Erasmus University Rotterdam, where he is also Director of the Centre for Art and Philosophy and Co-Founder of the Erasmus Institute for Public Knowledge. Stephen Zepke is an independent researcher living in Vienna. He is the author of Sublime Art: Towards an Aesthetics of the Future (2017) and Art as Abstract Machine: Ontology and Aesthetics in Deleuze and Guattari (2005). He is the co-editor (with Simon O'Sullivan) of Deleuze, Guattari and the Production of the New (2008) and Deleuze and Contemporary Art (2010).


Book Information
ISBN 9789462701151
Author Sjoerd Van Tuinen
Format Paperback
Page Count 280
Imprint Leuven University Press
Publisher Leuven University Press
Weight(grams) 435g
Dimensions(mm) 240mm * 160mm * 15mm