Description
About the Author
Selima Hill grew up in a family of painters in farms in England and Wales, and has lived in Dorset for the past 40 years. She received a Cholmondeley Award in 1986, and was a Royal Literary Fund Fellow at Exeter University in 2003-06. She won first prize in the Arvon International Poetry Competition with part of The Accumulation of Small Acts of Kindness (1989), one of several extended sequences in Gloria: Selected Poems (Bloodaxe Books, 2008), which also includes work from Saying Hello at the Station (1984), My Darling Camel (1988), A Little Book of Meat (1993), Aeroplanes of the World (1994), Violet (1997), Bunny (2001), Portrait of My Lover as a Horse (2002), Lou-Lou (2004) and Red Roses (2006). Violet was a Poetry Book Society Choice and was shortlisted for all three of the UK's major poetry prizes, the Forward Prize, T.S. Eliot Prize and Whitbread Poetry Award. Bunny won the Whitbread Poetry Award, was a Poetry Book Society Choice and was also shortlisted for the T.S. Eliot Prize. Lou-Lou and The Hat were Poetry Book Society Recommendations. Her most recent collections from Bloodaxe are The Hat (2008); Fruitcake (2009); People Who Like Meatballs (2012), shortlisted for both the Forward Poetry Prize and the Costa Poetry Award; The Sparkling Jewel of Naturism (2014); Jutland (2015), a Poetry Book Society Special Commendation which was shortlisted for the 2015 T.S. Eliot Prize and was earlier shortlisted for the Roehampton Poetry Prize; The Magnitude of My Sublime Existence (2016), shortlisted for the Roehampton Poetry Prize 2017; Splash like Jesus (2017); and I May Be Stupid But I'm Not That Stupid (2019). Men Who Feed Pigeons (2021) was shortlisted for the 2021 Forward Prize for Best Collection, the 2021 T.S. Eliot Prize, and the Rathbones Folio Prize 2022. Her 21st book of poetry, Women in Comfortable Shoes (2023), is a Poetry Book Society Recommendation.
Reviews
The collection is by turns surreal and direct, but always arresting. Her trademark humour is present throughout, but its wit can often surprise the reader, conveying truths in hilarious and sometimes shocking ways. The judges were impressed by Selima's mastery of the portrait in miniature - one of the judges calling her 'the UK's Emily Dickinson'. -- Forward Prize judges * on Selima Hill's Men Who Feed Pigeons *
Like the authors of the classical epigrams that are these poems' ultimate model, Hill uses a spare, brief span that can give gravity to light matters as well as supporting the weightiest. Hill's poems, however small, feel complete. -- William Wootten * Literary Review, on Men Who Feed Pigeons *
Born in 1945, Hill might be the heir to Stevie Smith: both are wholly original voices who pay no heed to anyone else's idea of what a poem should be; funny writers whose humour can leave the reader startled, puzzled or uneasy as often as amused. -- Tristram Fane Saunders * The Telegraph, on Men Who Feed Pigeons *
Book Information
ISBN 9781780376677
Author Selima Hill
Format Paperback
Page Count 256
Imprint Bloodaxe Books Ltd
Publisher Bloodaxe Books Ltd