Description
This collection bears witness to ecstasy and grief through persona. By inhabiting the voices of Adam and Eve, Abelard and Heloise, etc., deNiord reveals the enduring alterity contained within the self.
Westminster West traverses the worlds of here and beyond. Chard deNiord divines "the everydayness of the mystery . . . in which being and making poetry are the same." From posthumous correspondence between Abelard and Heloise to such poems as "Skywriting Over The Rockies," "With A Bone In My Heart," and "I Call Out To You," this collection betrays a mortal charge, bearing witness to what Emily Dickinson called "each ecstatic moment/ to which we must an anguish pay" and which Aridjis in his defiance of death calls "dust in love."
Ambitious and masterful, deNiord renders such ancient subject matter as love, betrayal, landscape, loss, grief, aging, and ecstasy new throughout Westminster West. He transforms the echo chamber of futility, silence, and failure by aspiring to cross over to "the other," whatever it may be, a stone or cloud or lover or garment, or cancerous lung, with a "negative capability" that allows it, no matter its identity, to speak memorably in a way that transcends simple definition and ultimately any personal connection to it.
Westminster West is divided into three sections that complement each other in their archetypal themes which range historically, mythologically, and cathectically. The poems in the first section imagine correspondences and dialogues between couples, including Heloise and Abelard, Adam and Eve, Gilgamesh and Enkidu, Odysseus and Calypso, a widower and his deceased wife in the time of Covid, and a lovesick husband in the air above the Rocky Mountains and his beloved on the ground. The second section also features love poems but focuses on more instructional and metaphysical themes that vary from metaphorical pedagogy on the topic of sex to "the harsh advice of loss" to the memory of a young couple's transcendent, romantic walk by a river. Section three moves away from love poems to mortal and environmental themes, including elegies, pastorals, and a concluding confessional credo on the bittersweet reality of poetry's irony and blessing.
About the Author
Chard deNiord is the author of six books of poetry: In My Unknowing, Interstate, The Double Truth, Speaking In Turn with Tony Sanders, Night Mowing, Sharp Golden Thorn, and Asleep In The Fire. He is also the author of two books of interviews with eminent American poets: Sad Friends, Drowned Lovers, Stapled Songs, Conversations and Reflections on 20th Century Poetry and I Would Lie To You If I Could.
Reviews
"Chard deNiord is the bard of the bardo in Westminster West. Totally at home in the transformative place between life and death, dreaming and waking, deNiord writes characters who search for their lovers-Adam and Eve, Heloise and Abelard as well as anonymous young darlings and mistresses, widows and widowers. Chard deNiord's spiritual, visionary voice has found the perfect vehicle in these love poems-- You must believe without/any evidence or reason/to believe that your beloved/is standing behind you waiting....The graceful poems in Westminster West embrace wonder and pair-exquisitely-mortality and eternity." * Denise Duhamel, author of Just an Ordinary Woman Breathing *
"I recently told a young editor who was guilty of agism that, unlike UFC boxers, poets get better as they age. Chard deNiord certainly proves that dictum right in his brilliantly written and always surprising Westminster West. deNiord has spent his entire career mastering the art of seamlessly blending the imagery and rhythms of the learned and natural worlds, equally comfortable writing about Enkidu, Odysseus, and Heloise and Abelard, yet ready at any given moment to shift gears and explore the secret life of lambs, fish, and locusts. The stunning metaphors and unexpected leaps in the first three poems of this volume persist until the final poem "Credo," where the narrator writes: "Time is at the mercy of thought. / I either live in this mercy or not / singing in the dark." We can only hope that deNiord keeps on singing and that his song reaches a current poetry audience, who, like the rest of America, is certainly in need of some uplifting." * Peter Johnson, author of While the Undertaker Sleeps: Collected and New Prose Poems *
"Chard deNiord's poems are philosophical, clever, erudite, and spiritual in the best sense. He can invoke Roethke, Clare, Shakespeare, Abelard and Heloise, at the same time he finds a quiet joy in his rootedness to Vermont's earth, the singing of insects and birds in the title poem. This is a poet who wrestles with memory, most vividly in "Bronchoscopy," where a boy eager to watch his doctor father work ends up with a patient's sputum in his eye. There is deep compassion here, too, watching a Medevac helicopter in the sky, or in "Night Nurse," the portrait of a healer with a gift for the art of listening. There is even advice on teaching poetry to freshmen. Few poets are both lyrical and grounded, wise with years and yet so open to the new day. Such a poet is Chard deNiord." * Martin Espada, author of Floaters *
Book Information
ISBN 9781961209237
Author Chard deNiord
Format Paperback
Page Count 82
Imprint Tupelo Press, Incorporated
Publisher Tupelo Press, Incorporated
Weight(grams) 454g
Westminster West traverses the worlds of here and beyond. Chard deNiord divines "the everydayness of the mystery . . . in which being and making poetry are the same." From posthumous correspondence between Abelard and Heloise to such poems as "Skywriting Over The Rockies," "With A Bone In My Heart," and "I Call Out To You," this collection betrays a mortal charge, bearing witness to what Emily Dickinson called "each ecstatic moment/ to which we must an anguish pay" and which Aridjis in his defiance of death calls "dust in love."
Ambitious and masterful, deNiord renders such ancient subject matter as love, betrayal, landscape, loss, grief, aging, and ecstasy new throughout Westminster West. He transforms the echo chamber of futility, silence, and failure by aspiring to cross over to "the other," whatever it may be, a stone or cloud or lover or garment, or cancerous lung, with a "negative capability" that allows it, no matter its identity, to speak memorably in a way that transcends simple definition and ultimately any personal connection to it.
Westminster West is divided into three sections that complement each other in their archetypal themes which range historically, mythologically, and cathectically. The poems in the first section imagine correspondences and dialogues between couples, including Heloise and Abelard, Adam and Eve, Gilgamesh and Enkidu, Odysseus and Calypso, a widower and his deceased wife in the time of Covid, and a lovesick husband in the air above the Rocky Mountains and his beloved on the ground. The second section also features love poems but focuses on more instructional and metaphysical themes that vary from metaphorical pedagogy on the topic of sex to "the harsh advice of loss" to the memory of a young couple's transcendent, romantic walk by a river. Section three moves away from love poems to mortal and environmental themes, including elegies, pastorals, and a concluding confessional credo on the bittersweet reality of poetry's irony and blessing.
About the Author
Chard deNiord is the author of six books of poetry: In My Unknowing, Interstate, The Double Truth, Speaking In Turn with Tony Sanders, Night Mowing, Sharp Golden Thorn, and Asleep In The Fire. He is also the author of two books of interviews with eminent American poets: Sad Friends, Drowned Lovers, Stapled Songs, Conversations and Reflections on 20th Century Poetry and I Would Lie To You If I Could.
Reviews
"Chard deNiord is the bard of the bardo in Westminster West. Totally at home in the transformative place between life and death, dreaming and waking, deNiord writes characters who search for their lovers-Adam and Eve, Heloise and Abelard as well as anonymous young darlings and mistresses, widows and widowers. Chard deNiord's spiritual, visionary voice has found the perfect vehicle in these love poems-- You must believe without/any evidence or reason/to believe that your beloved/is standing behind you waiting....The graceful poems in Westminster West embrace wonder and pair-exquisitely-mortality and eternity." * Denise Duhamel, author of Just an Ordinary Woman Breathing *
"I recently told a young editor who was guilty of agism that, unlike UFC boxers, poets get better as they age. Chard deNiord certainly proves that dictum right in his brilliantly written and always surprising Westminster West. deNiord has spent his entire career mastering the art of seamlessly blending the imagery and rhythms of the learned and natural worlds, equally comfortable writing about Enkidu, Odysseus, and Heloise and Abelard, yet ready at any given moment to shift gears and explore the secret life of lambs, fish, and locusts. The stunning metaphors and unexpected leaps in the first three poems of this volume persist until the final poem "Credo," where the narrator writes: "Time is at the mercy of thought. / I either live in this mercy or not / singing in the dark." We can only hope that deNiord keeps on singing and that his song reaches a current poetry audience, who, like the rest of America, is certainly in need of some uplifting." * Peter Johnson, author of While the Undertaker Sleeps: Collected and New Prose Poems *
"Chard deNiord's poems are philosophical, clever, erudite, and spiritual in the best sense. He can invoke Roethke, Clare, Shakespeare, Abelard and Heloise, at the same time he finds a quiet joy in his rootedness to Vermont's earth, the singing of insects and birds in the title poem. This is a poet who wrestles with memory, most vividly in "Bronchoscopy," where a boy eager to watch his doctor father work ends up with a patient's sputum in his eye. There is deep compassion here, too, watching a Medevac helicopter in the sky, or in "Night Nurse," the portrait of a healer with a gift for the art of listening. There is even advice on teaching poetry to freshmen. Few poets are both lyrical and grounded, wise with years and yet so open to the new day. Such a poet is Chard deNiord." * Martin Espada, author of Floaters *
Book Information
ISBN 9781961209237
Author Chard deNiord
Format Paperback
Page Count 82
Imprint Tupelo Press, Incorporated
Publisher Tupelo Press, Incorporated
Weight(grams) 454g
