Esther Leslie's path-breaking study of Walter Benjamin is unlike any other book presently available in English on Benjamin, in seeking to make a case for a more politicised reading of Benjamin's oeuvre. In looking at the entirety of Benjamin's work - rather than the four or five essays available in English which tend to form the Benjamin 'canon' - Leslie offers powerful new insights into a key twentieth-century political thinker, correcting the post-structuralist bias that has characterised so much Benjamin scholarship, and repositioning Benjamin's work in its historical and political context.

In her examination of Benjamin's commentary on the politics and aesthetics of technology - from Benjamin's work on nineteenth-century industrial culture to his analyses of the Nazi deployment of the bomber - Esther Leslie re-contextualises Benjamin's writings in a lucid and cogently argued new study.

About the Author
Esther Leslie is a professor in Political Aesthetics at Birkbeck College, University of London. She is the author of Walter Benjamin (Pluto, 2000), Hollywood Flatlands, Animation, Critical Theory and the Avant Garde (Verso, 2002) and Walter Benjamin, On Photography (Reaktion, 2015).

Reviews
'The extensive historical detail assembled in the book is woven together with Benjamin's texts in a manner which convincingly exhibits the historical moment in the very fabric of those texts' -- Radical Philosophy
'An important contribution to understanding Benjamin and technology, and should be read by those wishing to better understand the original reflections on technology by one of the past century's most original thinkers' -- Douglas Kellner, UCLA



Book Information
ISBN 9780745315683
Author Esther Leslie
Format Paperback
Page Count 320
Imprint Pluto Press
Publisher Pluto Press
Weight(grams) 481g