Description
Arranged in four main parts, this abundantly illustrated book begins by examining aspects of the European avant-garde from the 1930s to the aftermath of the Second World War. The second part focuses on the emergence of Abstract Expressionism in the U.S., in particular the work of Jackson Pollock and important critics. Part three looks at "autonomous" high modernism of the early to mid-1960s and the contemporary, related modernist theorization of photography. The final part of the book addresses the reemergence in the 1950s and 1960s of the concerns of the 1920 avant-gardes operating in the so-called "gap between art and life."
Published in association with The Open University
About the Author
Paul Wood is senior lecturer in art history, The Open University.
Reviews
"This new series has much to commend it. It shows a keen awareness of recent artistic and critical developments, and it establishes a balance between setting the historical framework and analyzing themes and issues. These books, individually and as a group, provide an unusually coherent and comprehensive survey of the complex phenomenon of modern art over the whole course of the twentieth century."-Alex Potts, University of Michigan
Book Information
ISBN 9780300102963
Author Paul Wood
Format Paperback
Page Count 424
Imprint Yale University Press
Publisher Yale University Press
Weight(grams) 1247g