The Guyanese poet Martin Carter (1927-97) was one of the foremost Caribbean writers of the 20th century. Twice imprisoned by the colonial government of British Guiana during the Emergency in the 1950s, he became a minister in Guyana's first independent government during the 60s, representing his country at the United Nations, but resigned in disillusionment after three years to live 'simply as a poet, remaining with the people'. He was one of the first Caribbean poets to write about slavery, Amerindian history and Indian Indentureship in relation to contemporary concerns. Wise, angry and hopeful, Carter's poetry voices a life lived in times of public and private crisis. Gemma Robinson's helpfully annotated edition is the first Collected Poems of Martin Carter. The selected prose includes key essays on race, colonialism, political action and the role of the poet in a postcolonial society.

About the Author
The Guyanese poet Martin Carter (1927-97) was one of the foremost Caribbean writers of the 20th century. Twice imprisoned by the colonial government of British Guiana during the Emergency in the 1950s, he became a minister in Guyana's first independent government during the 60s, representing his country at the United Nations, but resigned in disillusionment after three years to live 'simply as a poet, remaining with the people'. He was one of the first Caribbean poets to write about slavery, Amerindian history and Indian Indentureship in relation to contemporary concerns. Wise, angry and hopeful, Carter's poetry voices a life lived in times of public and private crisis. Martin Carter's poetry was first published in Britain in 1954 by the leftwing publishing house Lawrence & Wishart when publication in colonial British Guiana wasn't possible, and later by New Beacon Books. He appeared in E.A. Markham's seminal anthology Hinterland (Bloodaxe, 1989) as one of the father figures of modern Caribbean poetry. Two editions of Selected Poems by Martin Carter followed, one in Guyana in 1997 and another in Britain by Peepal Tree in 1999. Stewart Brown's critical anthology All Are Involved: The Art of Martin Carter also appeared from Peepal Tree in 1999. The first comprehensive edition of his work was University of Hunger: Collected Poems & Selected Prose, edited by Gemma Robinson (Bloodaxe Books, 2006).

Reviews
The work in University of Hunger ranges from lyrics to arguments to riddles. Carter's poetry, known by heart by his fellow Guyanese, deserves to live deep in global memory. Responsive to the white dust and red flowers of his homeland, for Carter the political is personal. Jailed for his part in the independence struggle, he foxed surveillance photographers by displaying poems on his home. Whether in tenderness for 'green, green love' or in furious search of a 'comrade stargazer', he desires a freedom that would write a "happier alphabet". -- Vahni Capildeo * Reader's Digest *
His impulse was always lyrical, he was a great reciter, he had a great voice, he had a great joy in the sound of the poem...the example of his work was phenomenal...West Indian literature even in English is totally underestimated, totally. The literature is astonishing, the quality is astonishingly high. And Martin's position in all this is special. -- Derek Walcott
A major contribution to Guyanese scholarship. This sets the standard for editions of Caribbean poetry. -- David Dabydeen
Carter has a stature in the collective consciousness of Guyana that is quite unique among writers in the English-speaking Caribbean...he will remain one of the greatest writers of that period...Carter will stand in the very first ranks of the writers of the Americas. -- George Lamming



Book Information
ISBN 9781852247102
Author Martin Carter
Format Paperback
Page Count 320
Imprint Bloodaxe Books Ltd
Publisher Bloodaxe Books Ltd
Weight(grams) 490g
Dimensions(mm) 216mm * 138mm * 22mm