Description
This lavishly illustrated visual history shows how American artists, writers, and tourists traveling to France exported the dominant frontier narrative that presupposed manifest destiny - and how Native American performers with Buffalo Bill's Wild West and other traveling groups challenged that view. Many French artists and illustrators plied this imagery as well. At the 1900 World's Fair in Paris, sculptures of American cowboys conjured a dynamic and adventurous West, while portraits of American Indians on vases evoked an indigenous people frozen in primitivity. At the same time, representations of Lakota performers, as well as the performers themselves, deftly negotiated the politics of American Indian assimilation and sought alternative spaces abroad.
For French artists and enthusiasts, the West served as a fulcrum for the construction of an American cultural identity, offering a chance to debate ideas of primitivism and masculinity that bolstered their own colonialist discourses. By examining this process, Burns reveals the interconnections between American western art and Franco-American artistic exchange between 1865 and 1915.
About the Author
Emily C. Burns is Assistant Professor of Art History at Auburn University, Auburn, Alabama. Her work has been published in anthologies and in journals such as Panorama and Nineteenth-Century Art Worldwide.
Reviews
By situating her work at the crossroads of many disciplines, Burns transcends geographic, disciplinary, and methodological lines, demonstrating the richness and ingenuity of interdisciplinary scholarship, as well as its potential to inspire future novel directions in scholarship"". - Chronicles of Oklahoma
Book Information
ISBN 9780806160030
Author Emily C. Burns
Format Hardback
Page Count 248
Imprint University of Oklahoma Press
Publisher University of Oklahoma Press
Weight(grams) 1642g
Dimensions(mm) 279mm * 229mm * 26mm