Description
This book enters a larger debate about storytelling's impact around the world in the digital age. Singapore's storytelling state functions within a global network of performing memory with new media. Its origins can be traced to popular American models of oral history-telling as seen in StoryCorps and Humans of New York, with their techniques appropriated for a Singaporean audience. Yet, even when well-intentioned, the claims of such projects of giving voice to the non-elite and the marginalized can be undermined by injurious effects that are not unique to the Singaporean context. At the same time, the embodied and emotional nature of these performances make the absolute control of meaning difficult. Often, they reveal more than they should, transgressing the normative demands of the storytelling state. At stake here are performances of identity, mobility, and belonging. When the national stage is set for life itself, what does it mean to have a life?
About the Author
Cheng Nien Yuan is a Faculty Early Career Award Fellow at the Singapore University of Technology and Design.
Reviews
"In The Storytelling State, Cheng puts forward a strong and critical argument regarding the value of story and the performativity of citizenship in the public sphere. She focuses on a state-led initiative in Singapore to revise ideas of nationhood and society through practices of storytelling and mediation. Cheng writes with scrutiny, care and a playful sense of irony, harnessing her skills as an oral historian, dramaturg and performance analyst. In this engaging narrative, readers will find a valuable interweaving of viewpoints and styles of articulation that include detailed descriptions, screenplays of video extracts, and personal anecdotes that reveal wide-ranging theoretical perspectives." - Charlene Rajendran, Nanyang Technological University
Book Information
ISBN 9798880700011
Author Cheng Nien Yuan
Format Hardback
Page Count 277
Imprint University of Hawai'i Press
Publisher University of Hawai'i Press