The Other Transatlantic is attuned to the brief but historically significant moment in the postwar period between 1950 and 1970 when the trajectories of the Central and Eastern European art scenes on the one hand, and their Latin American counterparts on the other, converged in a shared enthusiasm for Kinetic and Op Art. As the axis connecting the established power centers of Paris, London, and New York became increasingly dominated by monolithic trends including Pop, minimalism, and conceptualism another web of ideas was being spun linking the hubs of Warsaw, Budapest, Zagreb, Buenos Aires, Caracas, and Sao Paulo. These artistic practices were dedicated to what appeared to be an entirely different set of aesthetic concerns: philosophies of art and culture dominated by notions of progress and science, the machine and engineering, construction and perception. This book presents a highly illustrated introduction to this significant transnational phenomenon in the visual arts.

About the Author
Marta Dziewanska is curator of research and public programs at the Museum of Modern Art in Warsaw. Dieter Roelstraete is curator at Documenta 14, to be held in Athens and Kassel in 2017. Abigail Winograd is a curatorial fellow at the Frans Hals Museum in Haarlem.


Book Information
ISBN 9788364177422
Author Marta Dziewanska
Format Paperback
Page Count 358
Imprint Museum of Modern Art in Warsaw
Publisher Museum of Modern Art in Warsaw
Weight(grams) 336g
Dimensions(mm) 195mm * 138mm * 16mm