Description
Maurice Ravel's operas L'Heure espagnole (1907/1911) and L'Enfant et les sortileges (1919-25) are pivotal works in the composer's relatively small oeuvre. Emerging from periods shaped by very distinct musical concerns and historical circumstances, these two vastly different works nevertheless share qualities that reveal the heart of Ravel's compositional aesthetic. In this comprehensive study, Emily Kilpatrick unites musical, literary, biographical and cultural perspectives to shed new light on Ravel's operas. In documenting the operas' history, setting them within the cultural canvas of their creation and pursuing diverse strands of analytical and thematic exploration, Kilpatrick reveals crucial aspects of the composer's working life: his approach to creative collaboration, his responsiveness to cultural, aesthetic and musical debate, and the centrality of language and literature in his compositional practice. The first study of its kind, this book is an invaluable resource for students, specialists, opera-goers and devotees of French music.
This first comprehensive study unites musical, literary, documentary and cultural perspectives to shed new light on Ravel's compositional practice.
About the Author
Emily Kilpatrick holds a Ph.D. in Musicology from the University of Adelaide, and has published widely on the music of Ravel and Faure. She is co-editor, with Roy Howat, of the new Peters critical edition of Faure's complete songs, a project based at the Royal Academy of Music in London. Emily also maintains an active performing career as a pianist and vocal accompanist, and regularly gives recitals, radio broadcasts, master classes and lectures on French opera and song.
Reviews
'... altogether this is a very fine piece of work, which anyone involved in performing either of Ravel's operas should read and re-read.' Roger Nichols, BBC Music Magazine
'Scholars, singers, conductors, stage directors, and general readers hoping to gain a deeper understanding of the milieu in which these exquisite small operas were created will find illuminating insights and much to ponder.' Keith E. Clifton, Notes: The Quarterly Journal of the Music Library Association
Book Information
ISBN 9781107542907
Author Emily Kilpatrick
Format Paperback
Page Count 285
Imprint Cambridge University Press
Publisher Cambridge University Press
Weight(grams) 520g
Dimensions(mm) 245mm * 170mm * 15mm
This first comprehensive study unites musical, literary, documentary and cultural perspectives to shed new light on Ravel's compositional practice.
About the Author
Emily Kilpatrick holds a Ph.D. in Musicology from the University of Adelaide, and has published widely on the music of Ravel and Faure. She is co-editor, with Roy Howat, of the new Peters critical edition of Faure's complete songs, a project based at the Royal Academy of Music in London. Emily also maintains an active performing career as a pianist and vocal accompanist, and regularly gives recitals, radio broadcasts, master classes and lectures on French opera and song.
Reviews
'... altogether this is a very fine piece of work, which anyone involved in performing either of Ravel's operas should read and re-read.' Roger Nichols, BBC Music Magazine
'Scholars, singers, conductors, stage directors, and general readers hoping to gain a deeper understanding of the milieu in which these exquisite small operas were created will find illuminating insights and much to ponder.' Keith E. Clifton, Notes: The Quarterly Journal of the Music Library Association
Book Information
ISBN 9781107542907
Author Emily Kilpatrick
Format Paperback
Page Count 285
Imprint Cambridge University Press
Publisher Cambridge University Press
Weight(grams) 520g
Dimensions(mm) 245mm * 170mm * 15mm
