Description
When the Henan Ministry of Health begins paying citizens for blood plasma which is then sold to pharmaceutical companies, impoverished farmers in the province's remote villages sell blood to buy fertilizer, mend their houses and create a better life for their children. As corrupt health officials cut costs to maximize profits, safety standards are ignored, bringing potential catastrophe to China's most vulnerable population. Inspired by true events, this gripping drama explores the conflicts that arise when a community's greatest source of capital becomes their own bodies. Focusing on the personal repercussions of the cover-up, The King of Hell's Palace questions how political and medical decisions are made and how both a family and an entire country can look to recover from traumatic events.
An explosive play that explores the repercussions of plasma donation in China during the 1990s when the Ministry of Health faced a cover-up scandal due to blood contamination.
About the Author
Frances Ya-Chu Cowhig is an internationally produced playwright whose work has been staged in the United Kingdom at the Royal Shakespeare Company, the National Theatre, Hampstead Theatre, Trafalgar Studios 2 [West End] and the Unicorn Theatre. In the United States her work has been staged at venues that include the Oregon Shakespeare Festival, Manhattan Theater Club and the Goodman Theatre. Frances' plays have been awarded the Wasserstein Prize, the Yale Drama Series Award (selected by David Hare), an Edinburgh Fringe First Award, the David A. Callichio Award and the Keene Prize for Literature. Her work has been published by Yale University Press, Glimmer Train, Methuen Drama, Samuel French and Dramatists Play Service. Frances was born in Philadelphia, and raised in Northern Virginia, Okinawa, Taipei and Beijing. She received an MFA in Writing from the James A. Michener Center for Writers at UT Austin, a BA in Sociology from Brown University, and a certificate in Ensemble-Based Physical Theatre from the Dell'Arte International School of Physical Theatre.
Reviews
Some playwrights have a gift to amuse; Frances Ya-Chu Cowhig has a darker gift. Anyone with romantic notions of Chinese culture will be unsettled by the jagged, unsentimental portrait of modern urban China. * Chicago Reader *
Fearless, zippily-paced, and satirical, shining a light on Chinese society's necessary doublethink, be that willful blindness to the political past, or an equally blind belief in an impossibly brilliant future. * Independent *
Book Information
ISBN 9781350150430
Author Frances Ya-Chu Cowhig
Format Paperback
Page Count 120
Imprint Methuen Drama
Publisher Bloomsbury Publishing PLC
Weight(grams) 110g
An explosive play that explores the repercussions of plasma donation in China during the 1990s when the Ministry of Health faced a cover-up scandal due to blood contamination.
About the Author
Frances Ya-Chu Cowhig is an internationally produced playwright whose work has been staged in the United Kingdom at the Royal Shakespeare Company, the National Theatre, Hampstead Theatre, Trafalgar Studios 2 [West End] and the Unicorn Theatre. In the United States her work has been staged at venues that include the Oregon Shakespeare Festival, Manhattan Theater Club and the Goodman Theatre. Frances' plays have been awarded the Wasserstein Prize, the Yale Drama Series Award (selected by David Hare), an Edinburgh Fringe First Award, the David A. Callichio Award and the Keene Prize for Literature. Her work has been published by Yale University Press, Glimmer Train, Methuen Drama, Samuel French and Dramatists Play Service. Frances was born in Philadelphia, and raised in Northern Virginia, Okinawa, Taipei and Beijing. She received an MFA in Writing from the James A. Michener Center for Writers at UT Austin, a BA in Sociology from Brown University, and a certificate in Ensemble-Based Physical Theatre from the Dell'Arte International School of Physical Theatre.
Reviews
Some playwrights have a gift to amuse; Frances Ya-Chu Cowhig has a darker gift. Anyone with romantic notions of Chinese culture will be unsettled by the jagged, unsentimental portrait of modern urban China. * Chicago Reader *
Fearless, zippily-paced, and satirical, shining a light on Chinese society's necessary doublethink, be that willful blindness to the political past, or an equally blind belief in an impossibly brilliant future. * Independent *
Book Information
ISBN 9781350150430
Author Frances Ya-Chu Cowhig
Format Paperback
Page Count 120
Imprint Methuen Drama
Publisher Bloomsbury Publishing PLC
Weight(grams) 110g
