In this landmark publication, the most comprehensive study written on Haydn's keyboard sonatas, a leading Haydn scholar presents novel ideas, corrects misconceptions, and offers new hypotheses on long-debated issues of early music research. Laszlo Somfai begins with a thorough study of Haydn's keyboard instruments and their development. After recommending instruments appropriate for modern use, he discusses performance practice and style, explains the peculiarities of Haydn's manuscripts in the context of eighteenth-century notation, and provides specific suggestions for playing ornaments, improvising, slurring, and dynamics. He also investigates Haydn's sonata genres within their historical context and discusses the problems of establishing a chronology of their composition. Finally, Somfail analyzes the organization and style of each musical form. The book includes an index listing the sonatas by date of first publication and an extensive bibliography.

About the Author
Laszlo Somfai, former head of the Bartok Archives in Budapest and professor emeritus of musicology at the Franz Liszt Academy of Music, is a leading authority on Haydn's keyboard music. Charlotte Greenspan, now an independent scholar, has taught music at the University of Wisconsin - Madison and Cornell University.

Reviews
"Somfai's book has been in print in Hungarian for some years now, and it is no exaggeration to say that it has changed dramatically the manner in which not only Haydn, but to a great extent Mozart and Beethoven as well, are played in that country. My own interpretations have benefited enormously from Somfai's work, and every serious student of this repertoire should consider this study essential." - Malcolm Bilson, Cornell University"



Book Information
ISBN 9780226768137
Author Laszlo Somfai
Format Paperback
Page Count 416
Imprint University of Chicago Press
Publisher The University of Chicago Press
Weight(grams) 652g
Dimensions(mm) 24mm * 18mm * 2mm