The composition of the solo concerto studied as an evolving debate (rather than a static technique), and for its stylistic features. The solo concerto, a vast and important repertory of the early to mid eighteenth century, is known generally only through a dozen concertos by Vivaldi and a handful of works by Albinoni and Marcello. The authors aim to bring thisrepertory to greater prominence and have, since 1995, been involved in a research programme of scoring and analysing over nine hundred concertos, representing nearly the entire repertory available in early prints and manuscripts.Drawing on this research, they present a detailed study and analysis of the first-movement ritornello form, the central concept that enabled composers to develop musical thinking on a large scale. Their approach is firstly to present the ritornello form as a rhetorical argument, a musical process that dynamically unfolds in time; and secondly to challenge notions of a linear stylistic development from baroque to classical, instead discovering composers trying out different options, which might themselves become norms against which new experiments could be made. SIMON McVEIGH is Professor of Music, Goldsmiths College, University of London; JEHOASH HIRSHBERG is Professor in the Musicology Department, Hebrew University of Jerusalem.

About the Author
SIMON McVEIGH is Emeritus Professor of Music, Goldsmiths, University of London and a Past President of the Royal Musical Association.

Reviews
A fine achievement... the standard work on the subject for a long time... well written and liberally illustrated with musical examples. * EARLY MUSIC REVIEW *
[The authors] have produced a remarkably thorough and useful study, which rewards careful reading...a magisterial overview. * MUSIC & LETTERS *



Book Information
ISBN 9781843830924
Author Simon McVeigh
Format Hardback
Page Count 380
Imprint The Boydell Press
Publisher Boydell & Brewer Ltd
Weight(grams) 1g