The Invisibility of Religion in Contemporary Art offers a critical guide for rereading and rethinking religion in the histories of modern and contemporary art.

Since the turn of the twenty-first century, there has been a marked increase in attention to religion and spirituality in contemporary art among artists and scholars alike, but the resulting scholarship tends to be dispersed, disjointed, and underdeveloped, lacking a sustained discourse that holds up as both scholarship of art and as scholarship of religion. The Invisibility of Religion in Contemporary Art is both a critical study of this situation and an adjustment to it, offering a much-needed field guide to the current discourse of contemporary art and religion. By connecting the work of leading art historians, theologians, philosophers, and sociologists, Jonathan A. Anderson uncovers the gaps and reveals opportunities for scholars to engage more fully with the theological grammars, histories, and concepts at play in modern and contemporary art.

By addressing the religious blind spots in existing scholarship, Anderson opens new lines of inquiry and invites deeper dialogue between religious studies, theology, and art history and criticism.

About the Author

Jonathan A. Anderson is the Eugene and Jan Peterson Associate Professor of Theology and the Arts at Regent College. He is the co-author of the book Modern Art and the Life of a Culture: The Religious Impulses of Modernism.

Reviews

"Anderson presents an incisive and compelling study, exhibiting herein a clear command of the fields of art criticism and religious studies. This book represents an important contribution to the field of theology and the arts, and is a must-read for both scholars and practitioners." -W. David O. Taylor, author of A Body of Praise

"This book is an iteration of a new generation of scholarship that seeks to move beyond the frame that has defined the art-religion-theology landscape for the last two generations. Anderson suggests that to write about the visual arts, even and especially those practices that are not explicitly religious, is itself a theological practice." -Daniel A. Siedell, author of Who's Afraid of Modern Art?

Book Information
ISBN 9780268209186
Author Jonathan A. Anderson
Format Hardback
Page Count 496
Imprint University of Notre Dame Press
Publisher University of Notre Dame Press