Vladimir Nabokov complained about the number of Dostoevsky's characters "sinning their way to Jesus." In truth, Christ is an elusive figure not only in Dostoevsky's novels, but in Russian literature as a whole. The rise of the historical critical method of biblical criticism in the nineteenth century and the growth of secularism it stimulated made an earnest affirmation of Jesus in literature highly problematic. If they affirmed Jesus too directly, writers paradoxically risked diminishing him, either by deploying faith explanations that no longer persuade in an age of skepticism or by reducing Christ to a mere argument in an ideological dispute. The writers at the heart of this study understood that to reimage Christ for their age, they had to make him known through indirect, even negative ways, lest what they say about him be mistaken for cliche, doctrine, or naive apologetics. The Christology of Dostoevsky, Leo Tolstoy, Mikhail Bulgakov, and Boris Pasternak is thus apophatic because they deploy negative formulations (saying what God is not) in their writings about Jesus. Professions of atheism in Dostoevsky and Tolstoy's non-divine Jesus are but separate negative paths toward truer discernment of Christ. This first study in English of the image of Christ in Russian literature highlights the importance of apophaticism as a theological practice and a literary method in understanding the Russian Christ. It also emphasizes the importance of skepticism in Russian literary attitudes toward Jesus on the part of writers whose private crucibles of doubt produced some of the most provocative and enduring images of Christ in world literature. This important study will appeal to scholars and students of Orthodox Christianity and Russian literature, as well as educated general readers interested in religion and nineteenth-century Russian novels.

About the Author

John Givens is associate professor of Russian and chair of the Department of Modern Languages and Cultures at the University of Rochester. He is the author of Prodigal Son, co-translator of Vasily Shukshin's Stories from a Siberian Village, and former editor of Russian Studies in Literature.

Reviews

[T]his deeply engaged study is a welcome contribution to the growing corpus of contemporary studies of Christianity in Russia.

* Times Higher Education *

A significant and valuable contribution to scholarship. It will deservedly become standard reading on courses of classical Russian literature across the globe.

* Russian Review *

The analyses of the works by this quartet of venerable Russian writers unfold as a series of paradoxes, whether that of eros (physical love) and agape (spiritual love) or of humanity and divinity, but Givens has many insightful things to say about other Russian writers too. Given the book's Christological theme, interest in this study may spill over the confines of Slavic studies. Solidly researched and lucidly written. Highly recommended.

* Choice *

[I]ntelligent, well-researched, and provocative. All those who are interested in the literary representation of Christ will read with interest and reward Givens's insightful analyses of these major writers and texts.

* Slavic Review *

John Givens approaches a huge topic in an admirably interdisciplinary and focused way.... The results, laid out in accessible and clear prose, will interest readers from religious studies, literature, history, and related fields.

* Slavic and East European Journal *

This most remarkable volume of investigative study is not only incisive and searching in style, but also analytical and synthetic in the matter at hand- the "who" of Christ and the "how" he is portrayed in Russian literature, both in relatively "minor" authors, but, above all, by the four great authors in the subtitle.

* St. Vladimir's Theological Quarterly *



Book Information
ISBN 9780875807799
Author John Givens
Format Hardback
Page Count 288
Imprint Northern Illinois University Press
Publisher Cornell University Press
Weight(grams) 907g
Dimensions(mm) 229mm * 152mm * 27mm