![The Girl in the Yellow Dress by Craig Higginson 9781849430821 [USED COPY]](https://cdn11.bigcommerce.com/s-zkx5lhzlf8/images/stencil/1500x1500/products/6005384/6082396/9781849430821__51984.1731729264.jpg?c=1?imbypass=on "The Girl in the Yellow Dress by Craig Higginson 9781849430821 [USED COPY]")
![The Girl in the Yellow Dress by Craig Higginson 9781849430821 [USED COPY]](https://cdn11.bigcommerce.com/s-zkx5lhzlf8/images/stencil/608x608/products/6005384/6082396/9781849430821__51984.1731729264.jpg?c=1 "The Girl in the Yellow Dress by Craig Higginson 9781849430821 [USED COPY]")
Description
A new gripping psychological drama, The Girl in the Yellow Dress, centers on a love story set in Paris between two apparently disparate characters, one a UK teacher and the other her Congolese student.
Winner of Naledi Award for Best New South African play (March 2011).
About the Author
CRAIG HIGGINSON is a novelist, playwright and theatre director. Currently he is the Literary Manager of the Market Theatre in Johannesburg and teaches writing at the University of the Witwatersrand.
Reviews
"This gripping two-hander is a highlight of the Traverse programme. Higginson packs a lot in under the seemingly innocuous guise of a young English woman giving language lessons to a French-Congolese student in contemporary Paris"-Fiona Mountford, Evening Standard "Higginson is clearly gifted. He not only filters pressing concerns about race, prejudice and power through a highly charged two-hander, but he wraps it all up in a witty discourse about language itself."-Daily Telegraph "It is unusual and fascinating to see a play investigate the extent to which words can shape our thoughts and feelings as much as vice versa." -Financial Times Exposes some painfully ugly truths about race and class, wealth and victimhood written and directed with great skill "-The Scotsman "Higginson's slick, precise dialogue builds the tension nicely. There is, quite plainly, a formidable intellect at play... this piece challenges our received assumptions about ideology, language and sexuality to strong effect and comes recommended to thoughtful audiences."-The List "Craig Higginson has developed this spell-binding two-hander You'd be hard pressed to find a sexier scene this festival than the shared naked foot stroking that turns nasty, then violent..."-What's On Stage "Full of emotion, and ideas It's erotic, exciting and thought-provoking brilliantly written a winner of a play" 4 stars The Arts Desk "Stylish and compelling deserves to be rewarded come awards season" 4 stars Evening Standard "Takes on everything from racial and class animus to truth versus fiction and the dark heart of desire. A clever two-hander" Time Out "An absorbing study in the potency of language Higginson's script challenges assumptions of race and class with cutting insight . This is bold, thought-provoking work, and a gritty battle of language and power-politics from a vital voice of the modern stage." 4 stars Exeunt Magazine
"This gripping two-hander is a highlight of the Traverse programme. Higginson packs a lot in under the seemingly innocuous guise of a young English woman giving language lessons to a French-Congolese student in contemporary Paris"-Fiona Mountford, Evening Standard "Higginson is clearly gifted. He not only filters pressing concerns about race, prejudice and power through a highly charged two-hander, but he wraps it all up in a witty discourse about language itself."-Daily Telegraph "It is unusual and fascinating to see a play investigate the extent to which words can shape our thoughts and feelings as much as vice versa." -Financial Times Exposes some painfully ugly truths about race and class, wealth and victimhood...written and directed with great skill..."-The Scotsman "Higginson's slick, precise dialogue builds the tension nicely. There is, quite plainly, a formidable intellect at play... this piece challenges our received assumptions about ideology, language and sexuality to strong effect and comes recommended to thoughtful audiences."-The List "Craig Higginson has developed this spell-binding two-hander... You'd be hard pressed to find a sexier scene this festival than the shared naked foot stroking that turns nasty, then violent..."-What's On Stage "Full of emotion, and ideas... It's erotic, exciting and thought-provoking... brilliantly written... a winner of a play" 4 stars - The Arts Desk "Stylish and compelling... deserves to be rewarded come awards season" 4 stars - Evening Standard "Takes on everything from racial and class animus to truth versus fiction and the dark heart of desire. A clever two-hander" - Time Out "An absorbing study in the potency of language... Higginson's script challenges assumptions of race and class with cutting insight.... This is bold, thought-provoking work, and a gritty battle of language and power-politics from a vital voice of the modern stage." 4 stars - Exeunt Magazine
Book Information
ISBN 9781849430821
Author Craig Higginson
Format Paperback
Page Count 88
Imprint Oberon Books Ltd
Publisher Bloomsbury Publishing PLC
Winner of Naledi Award for Best New South African play (March 2011).
About the Author
CRAIG HIGGINSON is a novelist, playwright and theatre director. Currently he is the Literary Manager of the Market Theatre in Johannesburg and teaches writing at the University of the Witwatersrand.
Reviews
"This gripping two-hander is a highlight of the Traverse programme. Higginson packs a lot in under the seemingly innocuous guise of a young English woman giving language lessons to a French-Congolese student in contemporary Paris"-Fiona Mountford, Evening Standard "Higginson is clearly gifted. He not only filters pressing concerns about race, prejudice and power through a highly charged two-hander, but he wraps it all up in a witty discourse about language itself."-Daily Telegraph "It is unusual and fascinating to see a play investigate the extent to which words can shape our thoughts and feelings as much as vice versa." -Financial Times Exposes some painfully ugly truths about race and class, wealth and victimhood written and directed with great skill "-The Scotsman "Higginson's slick, precise dialogue builds the tension nicely. There is, quite plainly, a formidable intellect at play... this piece challenges our received assumptions about ideology, language and sexuality to strong effect and comes recommended to thoughtful audiences."-The List "Craig Higginson has developed this spell-binding two-hander You'd be hard pressed to find a sexier scene this festival than the shared naked foot stroking that turns nasty, then violent..."-What's On Stage "Full of emotion, and ideas It's erotic, exciting and thought-provoking brilliantly written a winner of a play" 4 stars The Arts Desk "Stylish and compelling deserves to be rewarded come awards season" 4 stars Evening Standard "Takes on everything from racial and class animus to truth versus fiction and the dark heart of desire. A clever two-hander" Time Out "An absorbing study in the potency of language Higginson's script challenges assumptions of race and class with cutting insight . This is bold, thought-provoking work, and a gritty battle of language and power-politics from a vital voice of the modern stage." 4 stars Exeunt Magazine
"This gripping two-hander is a highlight of the Traverse programme. Higginson packs a lot in under the seemingly innocuous guise of a young English woman giving language lessons to a French-Congolese student in contemporary Paris"-Fiona Mountford, Evening Standard "Higginson is clearly gifted. He not only filters pressing concerns about race, prejudice and power through a highly charged two-hander, but he wraps it all up in a witty discourse about language itself."-Daily Telegraph "It is unusual and fascinating to see a play investigate the extent to which words can shape our thoughts and feelings as much as vice versa." -Financial Times Exposes some painfully ugly truths about race and class, wealth and victimhood...written and directed with great skill..."-The Scotsman "Higginson's slick, precise dialogue builds the tension nicely. There is, quite plainly, a formidable intellect at play... this piece challenges our received assumptions about ideology, language and sexuality to strong effect and comes recommended to thoughtful audiences."-The List "Craig Higginson has developed this spell-binding two-hander... You'd be hard pressed to find a sexier scene this festival than the shared naked foot stroking that turns nasty, then violent..."-What's On Stage "Full of emotion, and ideas... It's erotic, exciting and thought-provoking... brilliantly written... a winner of a play" 4 stars - The Arts Desk "Stylish and compelling... deserves to be rewarded come awards season" 4 stars - Evening Standard "Takes on everything from racial and class animus to truth versus fiction and the dark heart of desire. A clever two-hander" - Time Out "An absorbing study in the potency of language... Higginson's script challenges assumptions of race and class with cutting insight.... This is bold, thought-provoking work, and a gritty battle of language and power-politics from a vital voice of the modern stage." 4 stars - Exeunt Magazine
Book Information
ISBN 9781849430821
Author Craig Higginson
Format Paperback
Page Count 88
Imprint Oberon Books Ltd
Publisher Bloomsbury Publishing PLC
![The Girl in the Yellow Dress by Jane A. Adams 9780727850966 [USED COPY]](https://cdn11.bigcommerce.com/s-zkx5lhzlf8/images/stencil/444x444/products/5018034/5017251/9780727850966__00585.1722807939.jpg?c=1 "The Girl in the Yellow Dress by Jane A. Adams 9780727850966 [USED COPY]")
