In an epilogue provided for his incomparable study of Akira Kurosawa (1910-1998), Donald Richie reflects on Kurosawa's life work of thirty feature films and describes his last, unfinished project, a film set in the Edo period to be called The Ocean Was Watching. Kurosawa remains unchallenged as one of the century's greatest film directors. Through his long and distinguished career he managed, like very few others in the teeth of a huge and relentless industry, to elevate each of his films to a distinctive level of art. His Rashomon--one of the best-remembered and most talked-of films in any language--was a revelation when it appeared in 1950 and did much to bring Japanese cinema to the world's attention. Kurosawa's films display an extraordinary breadth and an astonishing strength, from the philosophic and sexual complexity of Rashomon to the moral dedication of Ikiru, from the naked violence of Seven Samurai to the savage comedy of Yojimbo, from the terror-filled feudalism of Throne of Blood to the piercing wit of Sanjuro.

About the Author
Donald Richie is the Arts Critic for The Japan Times.

Reviews
"A gratifying study for both film buff and critic." * Kirkus Reviews *
"The seminal work on one of the greatest of all film artists, [it] has universally been regarded as a masterpiece of film criticism." * Bloomsbury Review *
"Definitive, readable, and a virtual model for future studies in the field." * Saturday Review *



Book Information
ISBN 9780520220379
Author Donald Richie
Format Paperback
Page Count 288
Imprint University of California Press
Publisher University of California Press
Weight(grams) 953g
Dimensions(mm) 251mm * 251mm * 15mm