Description
The 1870s in France - Rimbaud's moment, and the subject of this book - is a decade virtually ignored in most standard histories in France. Yet it was the moment of two significant spatial events: France's expansion on a global scale, and, in the spring of 1871, the brief existence on the Paris Commune - the construction of the revolutionary urban space. Arguing that space, as a social fact, is always political and strategic, Kristin Ross has written a book that is at once a history and geography of the Commune's anarchist culture - its political language and social relations, its values, strategies, and stances.
Central to her analysis of the Commune as a social space and oppositional culture is a close textual reading of Arthur Rimabaud's poetry. His poems - a common thread running through the book - are one set of documents among many in Ross's recreation of the Communard experience. Rimbaud, Paul Lafargue, and the social geographer Elisee Reclus serve as emblematic figures moving within and on the periphery of the Commune; in their resistance to the logic and economy of the capitalist conception of work, in their challenge to work itself as a term of identity, all three posed a threat to the existing order. Ross looks at these and other emancipatory notions as aspects of Communard life, each with an analogous strategy in Rimbaud's poetry. Applying contemporary theory, to a wealth of little-known archival material, she has written a fresh, persuasive, and original book.
A thrilling ride through the literature of Rimbaud in a France in the throes of revolution
About the Author
Kristin Ross was born in State College, Pennsylvania in 1953. She attended the University of California at Santa Cruz and received a PhD in French Literature from Yale in 1981. She is the author of a number of books on modern French politics and culture, all of which have been widely translated: The Emergence of Social Space: Rimbaud and the Paris Commune (Minnesota, 1988; Verso, 2008); Fast Cars, Clean Bodies: Decolonization and the Reordering of French Culture (MIT, 1995); May 68 and its Afterlives (Chicago, 2002), and Communal Luxury: The Political Imaginary of the Paris Commune (Verso, 2015). She has also translated works by Jacques Ranciere and by the militant collective, Mauvaise Troupe. She lives in Stone Ridge, New York and Paris.
Reviews
A fascinating cultural history of the Commune. -- Tariq Ali
A rare example of cultural studies done with zest as well as depth -- New Statesman & Society
Book Information
ISBN 9781844672066
Author Kristin Ross
Format Paperback
Page Count 190
Imprint Verso Books
Publisher Verso Books
Weight(grams) 210g
Dimensions(mm) 198mm * 130mm * 18mm
Central to her analysis of the Commune as a social space and oppositional culture is a close textual reading of Arthur Rimabaud's poetry. His poems - a common thread running through the book - are one set of documents among many in Ross's recreation of the Communard experience. Rimbaud, Paul Lafargue, and the social geographer Elisee Reclus serve as emblematic figures moving within and on the periphery of the Commune; in their resistance to the logic and economy of the capitalist conception of work, in their challenge to work itself as a term of identity, all three posed a threat to the existing order. Ross looks at these and other emancipatory notions as aspects of Communard life, each with an analogous strategy in Rimbaud's poetry. Applying contemporary theory, to a wealth of little-known archival material, she has written a fresh, persuasive, and original book.
A thrilling ride through the literature of Rimbaud in a France in the throes of revolution
About the Author
Kristin Ross was born in State College, Pennsylvania in 1953. She attended the University of California at Santa Cruz and received a PhD in French Literature from Yale in 1981. She is the author of a number of books on modern French politics and culture, all of which have been widely translated: The Emergence of Social Space: Rimbaud and the Paris Commune (Minnesota, 1988; Verso, 2008); Fast Cars, Clean Bodies: Decolonization and the Reordering of French Culture (MIT, 1995); May 68 and its Afterlives (Chicago, 2002), and Communal Luxury: The Political Imaginary of the Paris Commune (Verso, 2015). She has also translated works by Jacques Ranciere and by the militant collective, Mauvaise Troupe. She lives in Stone Ridge, New York and Paris.
Reviews
A fascinating cultural history of the Commune. -- Tariq Ali
A rare example of cultural studies done with zest as well as depth -- New Statesman & Society
Book Information
ISBN 9781844672066
Author Kristin Ross
Format Paperback
Page Count 190
Imprint Verso Books
Publisher Verso Books
Weight(grams) 210g
Dimensions(mm) 198mm * 130mm * 18mm
